Tokyo Ghoul is a Japanese dark fantasy manga and anime series created by Sui Ishida that has made a significant impact on anime culture worldwide. The story is set in an alternate reality where flesh-eating ghouls live secretly among humans, and it follows a young student, Ken Kaneki, who becomes a half-ghoul after a fateful encounter. Since its debut in 2011, Tokyo Ghoul has gained international popularity for its intense storytelling, complex characters, and exploration of themes like identity and humanity. It spawned a media franchise that includes a best-selling manga (and its sequel Tokyo Ghoul:re), multiple anime seasons, light novels, video games, and even live-action film adaptations. The series quickly rose to global fame, attracting a passionate fanbase and becoming one of the most recognizable horror anime of the 2010s. By January 2021, the Tokyo Ghoul manga had over 47 million copies in circulation worldwide, solidifying its status as one of the top-selling manga series of all time. This article provides an overview of Tokyo Ghoul’s global revenue success, highlights the talented voice cast behind the characters (in both Japanese and English), and presents an extensive list of the key characters along with their roles and significance in the story.
Tokyo Ghoul Global Revenue
Tokyo Ghoul’s financial success is as impressive as its popularity. The franchise has generated substantial revenue across manga sales, anime adaptations, merchandise, and other media. The original manga (2011–2014) and its sequel Tokyo Ghoul:re (2014–2018) have sold tens of millions of copies. In fact, 34 million copies were reported in print worldwide by early 2018and that number grew to over 44 million by 2023. These strong sales make Tokyo Ghoul one of the best-selling manga series, even surpassing famous titles like Death Note in total copies. Sales in Japan were especially robust; Tokyo Ghoul was the fifth best-selling manga series of 2017 with over 5.3 million copies sold that year alone.
Beyond manga sales, the anime adaptation (produced by Studio Pierrot) and related content have brought in significant earnings. The Tokyo Ghoul anime first aired in 2014, followed by a second season (√A) in 2015, and later the Tokyo Ghoul:re seasons in 2018. The anime’s popularity boosted merchandise sales globally – fans eagerly bought Tokyo Ghoul DVDs/Blu-rays, streaming subscriptions, figurines, apparel, and other collectibles. While exact figures are hard to pinpoint, the combined income from the anime and merchandise amounts to millions of dollars worldwide. In Japan, Tokyo Ghoul ranked among the top media franchises by revenue; for example, in 2017 it was the 5th highest-grossing media franchise in Japan, earning about ¥3.4 billion from licensed products (excluding digital sales and movie tickets). Even years after its peak, the franchise continued to earn billions of yen annually from ongoing sales.
The Tokyo Ghoul franchise also expanded through adaptations and events that contributed to its financial success. A live-action Tokyo Ghoul film was released in 2017 (with a sequel in 2019), and these films performed well at the Japanese box office, further increasing the series’ revenue. There have been stage plays, character concerts, and extensive marketing tie-ins – all of which kept the Tokyo Ghoul name in the public eye. The franchise’s video games (like Tokyo Ghoul:re Call to Exist and mobile games) and international licensing deals (for translations, streaming rights, etc.) added additional income. When taking into account all sources – manga, anime, merchandise, games, and licensing – Tokyo Ghoul has raked in more than $300 million globally. This impressive number underscores how a dark, horror-themed story from a weekly manga magazine transformed into a worldwide commercial hit. Despite its gruesome premise, Tokyo Ghoul’s blend of action, drama, and philosophical questions resonated with audiences globally, proving that a compelling story can achieve both critical acclaim and significant financial success.
Tokyo Ghoul Voice Cast
One of the reasons Tokyo Ghoul’s anime adaptation made such a strong impression is the powerful performance of its voice cast in both the original Japanese version and the English dub. The series features a lineup of talented voice actors who breathed life into the characters’ intense emotions and personalities. In the original Japanese audio, renowned seiyuu (voice actors) portrayed the likes of Kaneki, Touka, and Tsukiyama, while the English dub employed experienced voice actors to make the story accessible to international fans. For instance, protagonist Ken Kaneki is voiced by Natsuki Hanae in Japanese and by Austin Tindle in English. The suave yet psychotic gourmet ghoul Shuu Tsukiyama is voiced by Mamoru Miyano in Japanese and J. Michael Tatum in English. Likewise, the fierce heroine Touka Kirishima is voiced by Sora Amamiya in Japanese and Brina Palencia in English. Each actor brought their own style to the character, ensuring that whether one watches Tokyo Ghoul with subtitles or dubbed, the dramatic weight of the scenes is felt strongly. Below, we highlight some key members of the Tokyo Ghoul voice cast and their contributions to the series (including notable roles they have performed outside of Tokyo Ghoul).
Austin Tindle (Ken Kaneki)
Austin Tindle is the voice behind Ken Kaneki in the English dub of Tokyo Ghoul. He delivers an emotionally charged performance, capturing Kaneki’s evolution from a gentle, bookish college student to a tormented half-ghoul struggling with his dual nature. Tindle’s voice acting in the harrowing scenes – such as Kaneki’s agonized screams during torture or his cold determination in battle – earned praise from fans for conveying Kaneki’s pain and growth authentically. Austin Tindle is an American voice actor with a distinctive voice, and Kaneki is one of his most recognized roles. In interviews, Tindle has mentioned how he connected with Kaneki’s vulnerability and strength, and fans often commend him for the nuanced portrayal of Kaneki’s personality shifts (from timid to ferocious). Beyond Tokyo Ghoul, Austin Tindle has voiced several other popular characters in anime. He is known for playing Karma Akabane in Assassination Classroom and Neito Monoma in My Hero Academia, as well as the anti-hero Accelerator in A Certain Magical Index. He also voiced Marco Bodt in Attack on Titan. These roles showcase Tindle’s range from sarcastic or villainous characters to heroic ones. In the case of Kaneki, Tindle’s ability to express both gentleness and brutality with his voice helped English-speaking audiences truly feel Kaneki’s internal conflict. His contribution has been vital in making Tokyo Ghoul’s English adaptation as compelling as the original.
J. Michael Tatum (Shuu Tsukiyama)
J. Michael Tatum provides the English voice for Shuu Tsukiyama, the flamboyant and obsessive ghoul often called “The Gourmet.” Tatum’s theatrical voice work perfectly matches Tsukiyama’s eccentric personality – from refined, flowery eloquence to maniacal excitement at the sight (and smell) of delicious prey. He manages to make Tsukiyama simultaneously charming, comedic, and menacing. J. Michael Tatum is a veteran in the dubbing industry and his experience shines through in Tokyo Ghoul. Fans enjoyed how he delivered Tsukiyama’s over-the-top lines (like French phrases and dramatic exclamations) with gusto, adding a bit of levity to the show’s darkness without undermining the character’s menace. Tatum himself has a long list of notable roles: he’s widely known as the voice of Sebastian Michaelis in Black Butler, Erwin Smith in Attack on Titan, Okabe Rintaro in Steins;Gate, and Tenya Iida in My Hero Academia. With such characters under his belt, Tatum is adept at playing sophisticated or intense personalities. In fact, his role as Tsukiyama shares some DNA with Sebastian’s polished demeanor and Okabe’s dramatic flair. Interestingly, Tatum’s and Tsukiyama’s Japanese voice actor (Mamoru Miyano) have both voiced certain similar characters – for example, both voiced the character Rintaro (Tatum in English, Miyano in Japanese) in Steins;Gate. For Tokyo Ghoul, J. Michael Tatum also lent his talents as an ADR script adapter and director for the dub, which shows his deep involvement in the project. His performance as Shuu Tsukiyama is often remembered as one of the highlights of the English dub, bringing to life the “foodie” ghoul’s iconic moments (like the infamous “KANEKI-KUN!” outburst) in a way that’s both entertaining and chilling.
Natsuki Hanae (Ken Kaneki)
In the original Japanese version of Tokyo Ghoul, Natsuki Hanae voices the protagonist Ken Kaneki. Hanae’s portrayal is central to the series’ emotional core. He adeptly conveys Kaneki’s gentle, introverted nature in the beginning and gradually shifts his tone as Kaneki undergoes traumatic experiences and embraces his ghoul side. Natsuki Hanae has a relatively soft but expressive voice, which made Kaneki’s pain and despair very palpable to the audience. When Kaneki endures horrifying torture or delivers monologues about his existence, Hanae’s performance often leaves listeners with goosebumps. Japanese viewers praised how he handled Kaneki’s iconic lines and psychological breakdowns. Natsuki Hanae is a prominent Japanese voice actor known for many lead roles in anime. He later gained worldwide fame as the voice of Tanjiro Kamado in Demon Slayer: Kimetsu no Yaiba, another kindhearted character who faces tragedy. Some of his other notable roles include Kousei Arima in Your Lie in April and 9S in NieR: Automata (game). His role as Kaneki, however, was one of the early performances that put him on the map, showcasing his ability to handle intense dramatic roles. Interestingly, Hanae was relatively young (early 20s) when voicing Kaneki, which perhaps helped him channel Kaneki’s youthful fear and determination. Throughout Tokyo Ghoul’s multiple seasons (including playing the amnesiac Haise Sasaki in :re), Hanae maintained consistency in depicting Kaneki’s evolving character. For many fans, his voice is now inseparable from Ken Kaneki – gentle, anguished, and resolute all at once.
Mamoru Miyano (Shuu Tsukiyama)
Mamoru Miyano is the Japanese voice of the flamboyant Shuu Tsukiyama (also spelled Shu Tsukiyama) and is one of the most celebrated voice actors in Japan. Miyano delivers a standout performance as Tsukiyama, capturing the character’s elegant yet unhinged persona. He switches effortlessly from smooth, cultured speech to crazed exclamations when Tsukiyama is in the throes of ghoul hunger. Miyano’s dramatic flair adds a layer of charisma to Tsukiyama – making the character memorable as both a villain and comic relief. Mamoru Miyano’s significance in anime extends far beyond Tokyo Ghoul. He is a superstar in the voice acting world, known for leading roles in many popular series. Notably, he voiced Light Yagami in Death Note, bringing to life Light’s cold intelligence. He also voiced Rintaro Okabe in Steins;Gate, Tamaki Suoh in Ouran High School Host Club, Setsuna F. Seiei in Gundam 00, and Chrollo Lucilfer in Hunter x Hunter. Fans often recognize his distinctive, versatile voice – capable of deep gravitas, wild passion, or even comedic timing. In Tokyo Ghoul, Mamoru Miyano’s experience with theatrical characters (like Tamaki’s flamboyance or Light’s intensity) likely informed his portrayal of Tsukiyama. He made Tsukiyama sound both sophisticated and dangerously insane, which is exactly what the character required. Miyano is also a singer, and his musicality sometimes seeps into his voice acting – for example, Tsukiyama’s speech has a certain rhythm and flourish that Miyano executes brilliantly. His contribution greatly enhanced the original anime, and even the English voice actor for Tsukiyama, J. Michael Tatum, has humorously noted that he tried to “keep up” with Miyano’s performance. Together, Mamoru Miyano and J. Michael Tatum made Tsukiyama an internationally beloved character despite (or because of) his bizarre antics.
Brina Palencia (Touka Kirishima)
Brina Palencia voices Touka Kirishima in the English dub, giving life to the strong-willed ghoul girl who fights to protect those she cares about. Palencia’s portrayal of Touka is marked by a balance of toughness and vulnerability. She uses a firm, no-nonsense tone for Touka’s confrontational scenes – for example, when Touka threatens others or battles enemy ghouls – yet she can convey a softer, caring side in quieter moments with characters like Kaneki or her brother Ayato. This duality in Touka’s character (a fierce fighter with a gentle heart) comes through in Palencia’s performance. Brina Palencia is an American voice actress and singer with many well-known anime roles. In addition to Touka, she has voiced characters such as Juvia Lockser in Fairy Tail, Vi Graythorn (Anita) in Case Closed, Yuno Gasai in Future Diary, and Holo in Spice and Wolf. She even voiced young male characters like Tony Tony Chopper in One Piece and Ciel Phantomhive in Black Butler. This range showcases her ability to adapt to different personalities. For Touka, Palencia had to embody a teenage girl who has a chip on her shoulder but also deep emotional scars. She does so convincingly – many fans of the dub felt that Palencia’s voice matched Touka’s fiery spirit. One memorable aspect is how she handles Touka’s emotional outbursts; for instance, in the English version of a scene where Touka tearfully questions Kaneki’s decision to leave Anteiku, Palencia’s performance is raw and heartfelt. It’s also worth noting that Palencia continued to voice Touka through Tokyo Ghoul √A and Tokyo Ghoul:re, showing commitment to maintaining the character’s consistency. Her work helped make Touka a relatable and likable character for English-speaking audiences who might see a bit of themselves in Touka’s mix of strength and sensitivity.
Sora Amamiya (Touka Kirishima)
In the Japanese version, Sora Amamiya voices Touka Kirishima. Amamiya is a talented Japanese voice actress who was relatively early in her career when she took on the role of Touka. Her performance captures Touka’s complex emotions, from anger and frustration to compassion and sadness. Amamiya’s voice for Touka is cool and assertive, which fits Touka’s character as someone who doesn’t easily show weakness. However, in scenes where Touka’s vulnerability surfaces (like when she cries or opens up about her feelings), Amamiya’s subtle shifts in tone convey that underlying hurt and longing for a normal life. Sora Amamiya has since become a well-known name in anime. She won the Best Rookie Actress Award in 2015, not long after her role in Tokyo Ghoul. Some of her most famous roles include Aqua in KonoSuba (a bubbly, comedic role that is the polar opposite of Touka’s personality) and Akame in Akame ga Kill!. She has also voiced Elizabeth Liones in The Seven Deadly Sins and Chizuru Mizuhara in Rent-A-Girlfriend. These roles show her versatility – from comedy to action to romance. For Touka, Sora Amamiya had to perform a lot of intense action sequences, which she did with grit, making Touka’s battles feel visceral. Yet perhaps one of her standout moments is in a quiet scene: Touka’s monologue while visiting the college campus (yearning for a normal life as a student) is delivered by Amamiya with a poignant mix of wonder and sorrow, despite Touka speaking very few words. Additionally, in later arcs when Touka softens a bit, Amamiya adjusts her portrayal to show the character’s growth while keeping Touka’s core toughness intact. Her contribution to Tokyo Ghoul was significant in establishing Touka as an iconic character in anime. Fans often remark that Amamiya’s voice gave Touka a memorable presence, whether Touka was angrily chastising Kaneki or comforting a frightened child like Hinami.
Shintarô Asanuma (Nishio Nishiki)
Shintarô Asanuma is the Japanese voice actor for Nishiki Nishio, a ghoul who starts off as an antagonist and later becomes an uneasy ally. Asanuma gives Nishiki a brash and somewhat cocky voice, fitting for a character who initially comes across as a smug college upperclassman with a dangerous secret. He captures Nishiki’s arrogance in early confrontations (for example, when Nishiki taunts Kaneki and tries to prey on him). As the story progresses, Nishiki’s caring side is revealed, particularly in relation to his human girlfriend Kimi, and Asanuma’s performance adjusts to show a more sincere and protective tone. This makes Nishiki a more sympathetic character, and the transition feels natural. Shintarô Asanuma is a multi-talented individual – not only a voice actor, but also a screenwriter and director. In terms of voice roles, he might not be as internationally famous as some others on this list, but he has voiced notable characters in various anime. For instance, he is the voice of Sunohara in Clannad and Takatoshi Tsuda in Seitokai Yakuindomo. Outside of anime, an interesting fact is that Asanuma voices Shulk (the protagonist) in the Japanese version of the video game Xenoblade Chronicles. In anime, he also voiced Susanoo in Akame ga Kill!. These roles range from comedic to heroic, showing his adaptability. In Tokyo Ghoul, Nishiki’s character has moments of dark humor, dry sarcasm, and genuine emotion – Asanuma handles each of these aspects well. When Nishiki is angry or fighting, Asanuma’s voice gets a sharp edge; when Nishiki is bantering (like bickering with Touka), he brings in a lighter, sardonic feel. By the end of the series, Nishiki is a character viewers have grown to appreciate, and that’s in part thanks to Shintarô Asanuma making him feel like a real, rounded person rather than a one-note villain. His portrayal helped turn Nishiki into a fan-favorite supporting character.
Sumire Morohoshi (Hinami Fueguchi)
Sumire Morohoshi voices Hinami Fueguchi in Japanese, bringing to life one of the most innocent and tragic characters in Tokyo Ghoul. Hinami is a young ghoul girl who experiences terrible loss, and Morohoshi’s youthful, gentle voice fits the character perfectly. She portrays Hinami with a soft-spoken sweetness and vulnerability that immediately endears Hinami to the audience. In scenes where Hinami is frightened or crying, Morohoshi’s performance is heart-wrenching – it genuinely sounds like a child in distress, which heightens the emotional impact of those moments (for example, when Hinami discovers her mother’s fate). At the same time, Hinami grows stronger and more determined, and Morohoshi manages to infuse a quiet strength into her voice in later episodes, showing Hinami’s resilience. Sumire Morohoshi began voice acting as a child, so by the time she played Hinami (in her mid-teens), she already had significant experience. Despite her young age, she had a mature understanding of how to convey emotion. Morohoshi is known for several other prominent roles. Notably, she voices Emma in The Promised Neverland, another character who is a young girl facing a horrific situation. She also voices Kyōka Izumi in Bungo Stray Dogs and had roles in Fullmetal Alchemist: Brotherhood (voicing young Nina Tucker when she was only nine years old, which shows her talent early on. Her ability to convey the purity and innocence of young characters while delivering powerful emotional scenes is her strong suit. In Tokyo Ghoul, Morohoshi’s portrayal of Hinami added a lot of heart to the story – Hinami’s kindness stands in contrast to the cruel world around her. Thanks to Morohoshi’s earnest performance, viewers truly feel protective of Hinami. It also makes Hinami’s bond with Kaneki and Touka very believable, like a little sister finding a new family. Sumire Morohoshi’s contribution might be subtler compared to the more bombastic roles, but it is crucial in grounding Tokyo Ghoul with an emotional core. Her work ensured that Hinami, as a symbol of innocence, remained a character that fans remember fondly.
Tokyo Ghoul Characters
Tokyo Ghoul boasts a large and diverse cast of characters, each with their own role in the story’s human vs ghoul conflict and each leaving a mark on protagonist Kaneki’s journey. Below is an extensive list of notable characters from Tokyo Ghoul (including its sequel Tokyo Ghoul:re), along with brief descriptions of who they are and why they are significant to the narrative. These characters range from heroic to villainous, human investigators to ghoul misfits, and understanding them helps in appreciating the complex world of Tokyo Ghoul.
Ken Kaneki
The main protagonist of Tokyo Ghoul. Kaneki starts as a shy, gentle human student who loves books. After an encounter with the ghoul Rize Kamishiro leads to her organs being transplanted into him, Kaneki becomes a half-ghoul – the first of his kind. He struggles to accept his new identity, torn between the human and ghoul worlds. Kaneki is known for his signature eye patch (covering his ghoul eye) and his evolution from a kind, somewhat weak boy into a much stronger, more ruthless fighter as the story progresses. He joins the ghoul community at Anteiku (a coffee shop) and learns how to survive without harming humans. Kaneki’s personal journey, which includes enduring torture and accepting his ghoul nature, is the emotional backbone of the series. Over time he gains multiple aliases – such as “Eye Patch”, “Centipede”, and later “Black Reaper” – reflecting his transformations. Despite all the darkness he faces, Kaneki retains a core of compassion and often tries to protect his friends at great cost to himself. By the sequel Tokyo Ghoul:re, he even takes on a new identity (Haise Sasaki) due to memory loss, but ultimately remembers who he is and fights to create a world where humans and ghouls can coexist.
Juuzou Suzuya
A notoriously eccentric Ghoul Investigator (CCG member) introduced as a young man with an androgynous appearance – pale skin, stitches crisscrossing his body, and a childlike demeanor. Juuzou’s real name was Rei Suzuya, and he had a traumatic upbringing (raised by a ghoul who treated him like a “pet,” hence his lack of normal empathy). Despite his innocent looks, Juuzou is incredibly violent and skilled in combat, treating ghoul extermination like a game. He wields a scythe-like weapon and later the quinque knives “Jason”. As a CCG Rank 3 Investigator, he is mentored by Shinohara, who helps him develop some sense of morality. Juuzou plays a major role in the Owl Suppression Operation (the battle at Anteiku), where he fights powerful ghouls without fear. His quirky personality (fond of candy and uttering non-sequiturs) makes him unpredictable but oddly endearing. In Tokyo Ghoul:re, Juuzou becomes more mature and rises to the rank of Special Class Investigator, leading his own squad. He remains a deadly force, known for his agility and ruthlessness in battle. Juuzou’s significance lies in how he blurs the line between “good guy” and “monster” – he is human but was nearly shaped into a monster by cruelty. Over the series, Juuzou gradually learns to value his comrades, showing growth from a seemingly emotionless killer to a more well-rounded young man who treasures the memory of his mentor and cares for his team.
Kureo Mado
A senior Ghoul Investigator at CCG and an early antagonist in the series. Mado is a middle-aged man with a peculiar, almost mad personality – he has a habit of twirling his hair and a gleeful obsession with collecting ghoul “trophies” (Kagune quinques). He and his partner Koutarou Amon are assigned to the 20th Ward, where Mado becomes focused on eliminating Hinami and her mother. Mado is extremely ruthless toward ghouls, having lost his wife to one in the past. He is highly intelligent and crafty, carrying multiple quinque weapons (including one made from Rize’s kagune which he uses in battle). Despite his bizarre demeanor, Mado is respected as an investigator who has exterminated many ghouls. He serves as a foil to the more idealistic Amon. Significance: Mado’s relentless hunt leads to a confrontation with Touka and Hinami – in this fight, Mado kills Hinami’s mother but is in turn killed by Touka avenging Hinami. His death deeply affects Amon and also has consequences for Hinami and Touka (it’s a moment of no return for Touka, taking a life to protect her surrogate little sister). Mado’s legacy lives on through his daughter Akira Mado (introduced in :re) and the quinques he left behind. He represents the unforgiving stance of CCG’s older generation in the ghoul-human conflict.
Kishou Arima
A legendary Special Class Ghoul Investigator of the CCG, often referred to as the CCG’s Reaper. Arima is a tall, white-haired man with glasses who is calm, stoic, and utterly unbeatable in combat. He joined CCG very young and quickly became an idolized figure due to his countless ghoul kills. Throughout the series, Arima is an almost mythical presence – he shows up when the most dangerous ghouls appear and dispatches them with ease using his high-tech quinque swords (like Narukami and Owl). He is responsible for defeating the One-Eyed Owl (Eto) during the Anteiku raid and later fights Kaneki. Significance: Arima plays a pivotal role in Kaneki’s life – at the end of the original series, Arima defeats Kaneki in battle, but instead of killing him, he secretly spares him, leading to Kaneki’s memory loss and new life as Haise Sasaki. In Tokyo Ghoul:re, Arima is Haise’s mentor within CCG. Despite being the prime example of a “ghoul-killing machine,” Arima harbors secrets and a personal connection to the mysterious organization V and Eto. Eventually, Arima’s true desire is revealed: he wanted Kaneki (Haise) to become strong enough to carry on the mantle of the One-Eyed King. In a climactic moment, Arima battles Kaneki again and, upon being defeated, commits suicide to solidify Kaneki’s reputation (so that Kaneki would be seen as the one who “killed” the unbeatable Arima). Arima’s death is emotional as Kaneki saw him as both a father figure and a bitter enemy. Kishou Arima’s character symbolizes the bridge between humans and ghouls in a way – though human, he wasn’t fully on the side of CCG’s ideology nor the ghouls’, and his actions were key to the story’s outcome.
Hinami Fueguchi
A young ghoul girl with brown hair and big, innocent eyes. Hinami is introduced as a shy and sweet child who loves reading – she notably asks Kaneki to read her books. Tragically, both her parents (Ryoko and Asaki Fueguchi) are killed by ghoul investigators early in the story, leaving her orphaned. Hinami possesses a unique trait: she inherited both her mother’s and father’s ghoul abilities, meaning she has two different kagune (which is rare among ghouls). However, she’s not a fighter at first; she’s gentle and abhors violence. After her parents’ death, Hinami is taken in by Anteiku and effectively becomes like a little sister or daughter figure to Touka and Kaneki. Significance: Hinami’s tragedy deeply influences Kaneki – witnessing her grief is one reason Kaneki resolves to fight investigators to protect others. In one of the most emotional scenes, Hinami cries out for her mother as she and Touka battle Mado, highlighting the human side of ghouls. Hinami gradually grows stronger and more mature; she cares a lot for Kaneki, and when he leaves Anteiku, she’s heartbroken. In Tokyo Ghoul:re, a teenage Hinami has joined Kaneki’s new ghoul organization, and she eventually is captured by the CCG. Kaneki (as Haise) risks much to save her, showing how important she is to him. Hinami’s character represents innocence caught in the crossfire of war. Despite all the loss she endures, she remains kind-hearted. By the end, she even comes to forgive humans to an extent and works toward the peaceful future Kaneki envisions. With her keen senses and dual kagune, Hinami also becomes a surprisingly formidable ghoul when she chooses to fight.
Renji Yomo
A taciturn, tall ghoul with silver hair often seen wearing a black hood or cloak. Yomo is an employee (and enforcer) at Anteiku, handling tasks like procuring “food” for the cafe (often from suicide victims’ bodies, to avoid hunting humans). He is an experienced ghoul, very calm and collected, acting as a mentor and protector to the younger ghouls. Yomo’s kagune is lightning-like and he’s skilled in combat, though he usually avoids unnecessary fights. Renji Yomo is later revealed to be Touka and Ayato Kirishima’s maternal uncle, having been the younger brother of their father, Arata. After Arata’s capture, Yomo watched over his niece and nephew from afar (without initially telling them of their relation). Yomo is fiercely loyal to Yoshimura (the manager of Anteiku) who saved him in the past. Significance: Yomo often serves as a guide for Kaneki when Kaneki enters the ghoul world; he spars with Kaneki to train him and imparts practical wisdom. He also has an interesting friendship with Uta and Itori (together they’re an informant trio in the ghoul underworld). Yomo’s family connection to Touka adds depth to his character – he cares for her like a parent figure, especially after reuniting with her in :re. During the Anteiku raid, Yomo fights to defend the cafe and later helps carry on Yoshimura’s will by joining Kaneki’s cause. He plays a key role in rescuing Kaneki’s group in :re and supports the effort to create peace. Renji Yomo is a steady presence in the series: whenever chaos erupts, Yomo is the reliable ally in the shadows, ensuring his friends’ safety. His quiet strength and hidden kindness make him an understated but beloved character.
Nishio Nishiki
Commonly referred to just as Nishiki, he is a ghoul who masquerades as an ordinary university student. Nishiki has short brownish-orange hair and a sharp tongue. Early in the series, he is introduced as an antagonist: Nishiki tries to eat Kaneki (not knowing Kaneki has become part-ghoul) out of territorial instinct. He’s arrogant and dismissive, seeing Kaneki as a weakling. However, after Kaneki and Touka overpower him, Nishiki’s role changes. It’s revealed that despite his abrasive attitude, Nishiki deeply loves his human girlfriend, Kimi Nishino, who knows he’s a ghoul but accepts him. After recuperating, Nishiki surprisingly becomes somewhat of an ally – he joins Anteiku as well and helps out (though he keeps his snarky demeanor). Significance: Nishiki’s character provides an example of a ghoul-human romantic relationship (him and Kimi), showing that some ghouls can coexist with humans peacefully on a personal level. His loyalty to Kimi motivates him to support Kaneki’s group, since Kaneki once helped save Kimi from a dangerous ghoul. Nishiki is also a source of cynical humor; he often mocks Kaneki and Touka, but underneath it, he does care about them. In battle, Nishiki’s kagune is whip-like and he’s adept at using it. He earns the nickname “Serpent” in Tokyo Ghoul:re for his activities. Over time, Nishiki grows from a selfish lone wolf to a team player. He even infiltrates enemy ghoul groups to gather intel for Kaneki during :re. By the end, Nishiki is fighting alongside the very people he once scorned. His journey underscores one of Tokyo Ghoul’s themes: how shared hardship can turn enemies into comrades. Nishiki’s sarcastic commentary and reluctant heroism make him a fan-favorite supporting character.
Itori
A female ghoul with a playful personality, recognizable by her short orange hair and mischievous grin. Itori is a friend of Yomo and Uta, and she runs the bar “Helter Skelter” in the 14th Ward, which caters to ghouls. Unlike many ghouls in the series who are fighters or serious, Itori is more of an information broker. She loves gossip and collecting secrets, and she’s the one Kaneki’s group often turns to when they need underworld intel. Itori is flirty, witty, and not easily intimidated. While she doesn’t engage in combat in the story, she has her own ways of manipulating situations – usually through her vast network of contacts and knowing more than she lets on. Significance: Itori is part of the ghoul trio (with Uta and Yomo) that Kaneki approaches to learn about Rize’s past and other mysteries. She provides key information about the ghoul organization Aogiri Tree and hints about the existence of other one-eyed ghouls. Itori’s seemingly carefree demeanor hides the fact that she’s quite dangerous; she is later revealed to be affiliated with the clandestine group known as the Clowns, who sow chaos for their amusement. This means she’s not entirely trustworthy. Nonetheless, Itori’s interactions are always interesting – she teases Kaneki and others, and she represents the side of ghoul society that thrives in nightlife and secrets rather than straightforward fighting. Her character adds depth to the world-building, showing ghouls have social lives and hierarchies beyond just hunting humans. She also subtly shows that even friendly-seeming ghouls can have hidden agendas.
Rize Kamishiro
The catalyst for the entire story. Rize is a beautiful, purple-haired ghoul who frequents the same coffee shop as Kaneki at the start. She is known as the “Binge Eater” because of her gluttonous habit of devouring many humans. Rize initially appears to Kaneki as an avid reader who shares his taste in books, but this is a ploy. When she asks Kaneki on a date, she eventually attacks him with the intent to eat him. A freak accident during that attack (steel beams falling) mortally wounds Rize, and her organs are transplanted into Kaneki to save his life – thus Rize’s ghoul power lives on in Kaneki. Though Rize’s body is gone from the scene early, her character haunts the series. Significance: Rize’s kakuhou (organ) inside Kaneki is what makes him a half-ghoul, and Kaneki inherits her powerful kagune (tentacle-like appendages). Kaneki is also psychologically haunted by an apparition of Rize that appears in his mind during times of stress, often taunting him. Beyond Kaneki, Rize has a larger role in the lore: we learn that Rize was extraordinarily powerful and came from the secretive Washuu family (she was essentially being hunted for her lineage). Various parties – Aogiri Tree, Dr. Kanou, and others – were after Rize to exploit her genes. In Tokyo Ghoul:re, it’s revealed that Dr. Kanou used Rize’s cells to create artificial one-eyed ghouls. Rize herself is eventually discovered alive (in captive) later in :re, but in a comatose state. Her character represents unbridled ghoul instinct – she’s ruled by hunger. To Kaneki, “Rize” is that dark voice tempting him to give in to ghoul appetites. Ultimately, although Rize doesn’t have much screen time actively, her existence drives much of the plot: she is the origin of Kaneki’s transformation and a key to many mysteries involving the highest levels of both ghoul and human society.
Koutarou Amon
A prominent Ghoul Investigator who serves as a deuteragonist, especially in the first part of the series. Amon is a tall, well-built young man with short black hair. He’s an earnest, by-the-book kind of person with a strong sense of justice. As a new detective in the 20th Ward, Amon is partnered with the oddball Kureo Mado, and together they investigate the ghoul incidents around Anteiku. Amon is dedicated to eradicating ghouls because he genuinely believes it will protect humanity, but he also has a kind heart – he is troubled by the senseless violence on both sides. Significance: Amon becomes a sort of rival and foil to Kaneki. The two face off during the Anteiku arc in a heated battle where Kaneki refuses to kill Amon, and Amon is left questioning the nature of ghouls after Kaneki spares him. Amon’s worldview begins to crack as he witnesses ghoul children crying for their parents and ghouls showing human-like compassion. After Mado’s death, Amon promises to carry on his will but also struggles internally with what is right. In the climax of Tokyo Ghoul, Amon fights Kaneki again during the Owl Suppression Operation. Later, in Tokyo Ghoul:re, it’s revealed that Amon was severely injured and then captured by Aogiri Tree; Dr. Kanou turns Amon into a half-ghoul (using Rize’s kagune). Amon reappears as a fugitive, now experiencing life as the very thing he hunted, which completes his character arc of understanding both sides. Eventually, Amon reconciles his hatred and works alongside ghouls like Kaneki to bring down the true enemies. Amon’s journey is a mirror to Kaneki’s: one became half-ghoul, the other half-human (in a sense). His character highlights themes of duty, morality, and empathy. Fans often cite Amon as a favorite for his principled nature and the poignant way his beliefs are challenged.
Kaya Irimi
A ghoul and one of the senior members working at Anteiku café. Kaya Irimi appears as a quiet, polite waitress at the coffee shop, often alongside Koma and Touka. She has short dark hair and glasses. However, in her past, Irimi was actually a leader of a ghoul gang known as the “Black Dog.” Under the alias Black Dog, she led a group that protected the 20th Ward’s ghouls before eventually coming under Yoshimura’s guidance and retiring her violent ways. At Anteiku, Irimi keeps a low profile, but when Anteiku is threatened, she shows her true strength. Significance: During the CCG raid on Anteiku, Irimi (dressed in a black dog mask) fights to defend the cafe and her friends, revealing her legendary reputation to both investigators and younger ghouls. She battles multiple CCG operatives to allow others to escape. Irimi’s character demonstrates the idea of atonement and starting anew: she once lived a life of bloodshed but found peace and purpose under Yoshimura, choosing a quieter life helping others. Nevertheless, she does not hesitate to pick up arms when her surrogate family is in danger. Irimi also mentors the younger ghouls by example, showing Touka and Kaneki how to maintain dignity and compassion despite being ghouls. Her loyalty to Anteiku ultimately leads to a sacrificial stand in battle. Though the manga provides more backstory for her than the anime, both versions paint Irimi as a noble figure. By the story’s end, characters like Irimi and Koma become symbols of ghoul communities who wanted only to live peacefully but were willing to lay down their lives when that peace was shattered.
Hideyoshi Nagachika
Commonly called Hide, he is Kaneki’s human best friend and one of the pure-hearted characters in the series. Hide is a blonde, cheerful, and outgoing college student who has been friends with Kaneki since childhood. He has a sharp intuition and early on notices the changes in Kaneki after the incident, but he doesn’t push Kaneki to confide in him, hoping his friend will open up when ready. Hide provides a sense of normalcy and positivity in Kaneki’s tumultuous life – often bringing him food (which Kaneki secretly cannot eat anymore) or chatting about trivial things to cheer him up. Significance: Hide’s role becomes crucial as the story progresses. Despite being human, he gets involved in the ghoul world out of concern for Kaneki. He actually deduces that Kaneki has become a ghoul or is involved with ghouls, but he remains loyal. In one of the most touching moments (during the Owl Suppression Operation in the anime), a wounded Kaneki encounters Hide in Anteiku’s ruins. Hide reveals he knew about Kaneki’s nature all along and still considers him his best friend. It’s implied (and explicitly shown in the manga) that Hide lets Kaneki feed on a part of him (his face or neck) to regain strength, essentially sacrificing himself out of love for his friend. Kaneki then carries Hide’s seemingly lifeless body out and surrenders to the CCG, a scene heavy with emotion. In Tokyo Ghoul:re, Hide returns (with facial disfigurement covered by a mask) as the mysterious Scarecrow, assisting Kaneki covertly. Eventually, he reunites with Kaneki, revealing he survived. Hide’s unwavering friendship and acceptance of Kaneki symbolize the hope for ghoul-human understanding. He doesn’t have any powers or special abilities, but his courage and kindness influence Kaneki more than any violence could. Many fans view Hide as the unsung hero of Tokyo Ghoul, the human who bridged the gap by seeing Kaneki for who he was inside, not just what he had become.
Kimi Nishino
A human character and the girlfriend of Nishiki Nishio. Kimi is a gentle, bespectacled college student studying medicine. She is notable for being one of the few humans who knows about the ghoul world yet accepts it. Kimi is aware that Nishiki is a ghoul, but her love for him doesn’t waver; she even offers her blood to him when he’s injured so he doesn’t need to attack others. Significance: Kimi’s importance comes during the “Gourmet” arc – Shuu Tsukiyama targets Kimi as a meal to provoke Nishiki and Kaneki. In the confrontation, Kimi is kidnapped and nearly killed, but Kaneki and Touka save her. Touka, in order to stop Tsukiyama, reluctantly scars Kimi’s face (so that Tsukiyama loses interest in eating her, since he’s obsessed with aesthetics). Despite this traumatic event, Kimi remains remarkably brave and kind. After being saved, she keeps the secret of the ghouls and later even helps Kaneki’s group by examining Dr. Kanou’s files (using her medical knowledge) in :re. Kimi represents the possibility of ghouls and humans having genuine relationships – she and Nishiki prove that such a bond is possible. Through Kimi, we see Nishiki’s softer side and the lengths he’ll go to protect her, which in turn helps Kaneki and Touka trust Nishiki more. Kimi’s acceptance of Nishiki’s true nature is a direct contrast to the fear and hatred that most humans would feel; she judges him by his character, not by him being a ghoul. In a series full of conflict, Kimi is a beacon of acceptance and shows that love can transcend species. She has little screen time, but her role is important in humanizing ghouls through a human’s eyes.
Seidou Takizawa
A Ghoul Investigator who is introduced as a young colleague of Amon. Takizawa (often just called Takizawa or by his nickname “Owl” later) starts as a Rank 2 Investigator, a bit insecure and trying to prove himself. He’s part of Amon’s squad during the raid on Aogiri’s 11th ward base. Takizawa is a normal human at that point, with some comedic moments (he’s nervous and overeager). However, things take a dark turn for him. Significance: During an operation in the finale of the first series (the Owl Suppression Operation), Takizawa is severely injured and presumed dead in the chaos. In Tokyo Ghoul:re, it’s revealed that Takizawa was captured by Aogiri Tree and became one of Dr. Kanou’s experimental subjects – turning him into a one-eyed artificial ghoul (similar to Kaneki). Takizawa reemerges under the alias “OWL” (also known as Takizawa “The Owl” to distinguish from Eto). As a ghoul, Takizawa’s hair turns white and his personality completely changes: he is mentally broken from torture and becomes a ruthless, insane ghoul who kills indiscriminately, very unlike his old self. He even murders his former mentor Shinohara (who is comatose) in a twisted moment of revenge against the CCG that left him for dead. Takizawa’s transformation into the ghoul Owl is one of the more tragic character arcs – it shows the horrifying outcome of Kanou’s experiments and flips a once good-hearted individual into a monster. Eventually, Takizawa does confront Amon (who has also become half-ghoul) and, after brutal clashes and intervention by Akira (another former colleague), he begins to regain some sanity. In the end, Takizawa defects from Aogiri and fights against the villains, somewhat redeeming himself. His story is a foil to Kaneki’s: while Kaneki struggled and maintained his morals, Takizawa lost himself to ghoul nature before clawing back some humanity. Takizawa’s fate highlights the series’ theme that anyone can become a “monster” under certain circumstances, and conversely, even a “monster” can seek redemption.
Shuu Tsukiyama
Often referred to as Tsukiyama or by his epithet “Gourmet,” he is a suave, refined ghoul from a wealthy family who has a predatory obsession with Kaneki’s scent. Tsukiyama dresses fashionably, speaks in an overly polite and dramatic manner, and is known for his eccentricities (such as peppering French words into conversation). He is introduced as an antagonist who lures Kaneki into a ghoul restaurant with the intent to devour him (because Kaneki’s half-ghoul status makes his scent and taste unique). Tsukiyama is extremely powerful – his kagune is like a multi-bladed arm and he’s a skilled fighter – but he’s also theatrical, treating hunting as an art. Significance: After being defeated and spared by Kaneki and Touka, Tsukiyama doesn’t disappear; instead, he develops an odd sort of admiration and fixation on Kaneki. Eventually, his infatuation turns into genuine friendship and loyalty. In Tokyo Ghoul:re, Tsukiyama falls into a deep depression when Kaneki is thought dead, showing how much he truly cared. His family (the Tsukiyama family) becomes a focus, and Kaneki (as Haise) even helps save Tsukiyama from a CCG raid, cementing their bond. Tsukiyama’s character provides both flamboyant comic relief and emotional depth. He’s known for outrageous moments (like sniffing a bloody handkerchief of Kaneki’s and exclaiming in ecstasy), but he also has a tragic side, as seen when his devoted servant Kanae (Karren) dies for him and when he’s willing to sacrifice himself to protect his friends. By the end, Tsukiyama stands as one of Kaneki’s staunch allies. He fights under Kaneki’s banner to create a better world. Fans love Tsukiyama for being larger-than-life and surprisingly heartfelt. He illustrates the theme that ghouls, despite monstrous habits, have deep emotions and capacity for change. Also, through Tsukiyama’s affluent background, we see another facet of ghoul society (the existence of ghoul nobility and their own subculture).
Misato Gori
A minor character in the CCG. Misato is a young female Ghoul Investigator, characterized by her serious and enthusiastic demeanor. She has short brown hair and appears in the later part of the manga (Tokyo Ghoul:re, though she’s briefly mentioned earlier). Misato Gori was an Academy classmate of Akira Mado and has a bit of a one-sided rivalry (and implied crush) regarding Koutarou Amon. She is proud and energetic, eager to prove herself in the battle against ghouls. Misato is assigned to the 13th Ward at one point, dealing with ghoul incidents there. Significance: While Misato Gori does not play a major role in the central plot, she represents the younger generation of investigators who followed in the footsteps of characters like Amon and Akira. In one scene in :re, she confronts Akira, frustrated about the losses and asking about Amon, showing her emotional investment. Misato eventually participates in the large-scale operations against Aogiri Tree and later against the Dragon threat (end of :re). She survives the conflict and is seen in a more peaceful time, indicating she continued with the CCG’s successor organization. Misato’s presence adds depth to the CCG side, showing how many ordinary yet brave humans are involved in this war. Her character doesn’t undergo big development on-page, but her dedication and respect for superiors like Amon demonstrate the camaraderie and resolve among investigators. In summary, Misato Gori is a loyal foot-soldier of the CCG – courageous, straight-forward, and fighting for humanity’s safety.
Kousuke Houji
A veteran Special Class Investigator at the CCG, known for his long career and strategic mind. Houji is often seen working alongside other top investigators like Shinohara and Marude. He has short dark hair and a calm disposition. Houji was involved in several major investigations, including the decades-long pursuit of the One-Eyed Owl (Eto). He first appears in the anime during the 11th Ward battle and is later heavily involved in the campaign against Aogiri Tree. Significance: Houji mentored younger investigators such as Akira Mado and had history with dangerous ghouls. Notably, he was the one who killed the ghoul Applehead (Kie Muramatsu) in the past and also took down the ghoul group White Suits along with Shinohara. In Tokyo Ghoul:re, Houji leads the operation to exterminate the Tsukiyama Family (the Rose investigation). He faces off against Noro (a powerful Aogiri ghoul) and is grievously wounded. Houji exemplifies the experienced, level-headed investigator – he’s not as flashy as Arima or as personally invested as Amon, but he’s solid and respected. He was close to General Manager Yoshitoki Washuu (who trusted him). Houji ultimately meets his end fighting Tatara (an Aogiri leader) who uses fire-based attacks; Houji is killed in that battle, which shows that even the most seasoned humans are vulnerable against the highest-ranked ghouls. His death motivates others in the CCG to push forward. Kousuke Houji’s character adds to the world-building, representing the CCG’s institutional memory and the collective effort over years to curb ghoul threats. His professionalism and dedication to duty highlight the noble aspect of the investigators.
Itsuki Marude
A senior CCG official (Special Class Investigator) known for his brash personality and sharp tongue. Marude is often seen commanding operations from the control room or front lines with a cigar (in the manga) or just a no-nonsense attitude. He is brash but extremely competent in tactics and leadership. Marude leads the 11th Ward operation against Aogiri and the Operation to raid Anteiku. Significance: Marude isn’t a front-line ghoul fighter like Arima; instead, he’s more of a military commander type. He coordinates CCG forces, calls in reinforcements, and isn’t afraid to speak bluntly to superiors. For example, he openly criticizes the Washuu clan’s decisions at times and has a grudge against ghouls for the heavy losses his units take. One key moment is during the Anteiku raid: Marude orders the use of significant firepower to eliminate the Owl, showing his willingness to make hard decisions. In Tokyo Ghoul:re, Marude becomes a pivotal figure after discovering the corruption within the CCG (learning about the Washuu being ghouls). He essentially helps orchestrate a coup with Hide’s help to support Kaneki’s side in the final conflict. By the end, Marude cooperates with Kaneki’s organization to stop the Dragon threat, indicating his priorities ultimately lie in protecting people, not blind loyalty to CCG’s old guard. Marude’s character provides some levity at times (due to his coarse language and impatience) but also is an example of a human who can put aside prejudice when faced with greater truths. He is a key human ally in the endgame, proving to be a formidable leader who adapts when he realizes the old methods were built on lies. His dynamic with Akira and Suzuya in :re also shows a more mentoring, caring side under his gruff exterior.
Ryōko Fueguchi
A gentle female ghoul and the mother of young Hinami Fueguchi. Ryōko is a kind-hearted woman who tries to live a peaceful life with her husband and daughter, feeding only on what she can scavenge. She has a very non-aggressive personality; even when confronted by danger, she opts to run or hide rather than fight. Significance: Ryōko’s fate is one of the early tragic events. She becomes a target of Kureo Mado and Koutarou Amon when they track her family. Ryōko’s husband Asaki is killed off-screen first, and later Ryōko herself is cornered by the investigators. In a heartbreaking moment, Ryōko is killed by Mado while trying to protect Hinami (Touka arrives in time to witness her death and save Hinami). Ryōko’s death has lasting impact: it traumatizes Hinami and fuels Touka’s anger, leading Touka to seek revenge on Mado. Ryōko is portrayed as a loving mother up to her last breath; her final thoughts are for Hinami’s safety. This character exemplifies that not all ghouls are violent – some are just families trying to survive. Her demise at the hands of an investigator shows the cruelty of the cycle of violence between humans and ghouls. Ryōko’s story also influences Amon, who later reflects on the fact that Hinami was just a child who lost her parents, making him question CCG’s moral high ground. In summary, Ryōko Fueguchi’s significance lies in humanizing ghouls. She was essentially an innocent who became a victim simply because she was a ghoul. Her memory lives on through Hinami, who carries her parents’ traits and is motivated by their love.
Yukinori Shinohara
A distinguished Special Class Investigator at CCG and one of the mentor figures among the investigators. Shinohara is a middle-aged man with a warm, friendly demeanor, often seen wearing a suit and tie even in the field. He mentors the quirky Juuzou Suzuya, treating him with kindness and fatherly guidance. Shinohara is highly respected and has a long history of hunting dangerous ghouls. He is part of the team that faces the One-Eyed Owl during the Anteiku raid, for which he dons a powerful quinque armor called Arata (which, grimly, is made from the kakuhou of Touka’s father, Arata Kirishima). Significance: Shinohara’s fight against the Owl (Eto) is one of the climactic battles – he holds his own for a while, but the Owl severely injures him. Shinohara ends up in a coma as a result of his injuries. This has a huge emotional effect on Juuzou, who regards Shinohara as the most important person in his life. The sight of Shinohara’s unconscious body is what pushes Juuzou to evolve and become stronger (Juuzou even keeps Shinohara’s wedding ring as a memento and promise). Shinohara’s fate also symbolizes the heavy costs of the war for CCG members – even the best can fall. In Tokyo Ghoul:re, Shinohara remains comatose in a hospital, and tragically, Takizawa (as a ghoul) later ends his life, which is a very dark turn especially considering their last interaction was Takizawa looking up to Shinohara. Throughout the series, Shinohara stood out as a humane investigator – he saw Juuzou not as a tool but as a child to nurture, and he had a sense of honor in battle. He treated ghoul extermination as his duty but not something he reveled in. His loss is mourned by the CCG community and fans alike. In essence, Shinohara represented the “good” side of the CCG, and his removal from the board made way for more extremist elements until others filled that void.
Ayato Kirishima
The younger brother of Touka Kirishima, often called Ayato. He is a hotheaded teenage ghoul who goes by the alias “Black Rabbit.” Ayato has black hair (blue in the anime) styled messily and wears a black rabbit mask during his operations. After their father’s disappearance, Ayato grew up angry at the world, especially hating the way Touka tried to live like a human. He left the 20th Ward and eventually joined the militant ghoul group Aogiri Tree. In Aogiri, Ayato rose to be one of their enforcers, fighting under leadership of the One-Eyed Owl (Eto). Ayato is extremely agile and strong for his age – his kagune, similar to Touka’s, manifests as wing-like appendages he uses to devastating effect. Significance: Ayato serves as both a foil and an emotional point for Touka and as an antagonist to Kaneki during the Aogiri arc. Kaneki and Ayato fight brutally in the 11th Ward battle, with Kaneki defeating Ayato (but sparing him) and injuring him badly. Kaneki did this in part to teach him a lesson for hurting Touka (Kaneki breaks some of Ayato’s bones to match the number of bones Ayato broke in Touka – a rather grim retaliation). Despite his rough edges, Ayato is shown to care deeply for his sister in his own way – he always secretly sought to protect Touka by trying to get her out of danger, even if his methods were forceful. Ayato’s journey continues in Tokyo Ghoul:re, where he becomes a key member of Kaneki’s organization “Goat” after Aogiri falls. He matures and works alongside the very people he fought before. Notably, Ayato takes on the dangerous task of exploring the 24th Ward (the ghoul underground) and later helps rescue humans during the “Dragon” crisis. By the series’ end, Ayato has reconciled with Touka and even becomes an uncle (to Touka and Kaneki’s child). Ayato’s character arc takes him from an angry youth lashing out at injustice to a more tempered adult fighting for a meaningful cause. His rebellious spirit and initial ruthlessness add intensity to the earlier parts of the story, while his eventual growth adds a satisfying layer to the theme of family bonds.
Kie Muramatsu
Better known by the nickname “Applehead,” she is a ghoul who appears as an elderly human woman. Kie Muramatsu is a minor antagonist in the Gourmet arc. Despite her harmless granny-like appearance, she is affiliated with the ghoul restaurant and is quite deadly. She earned the moniker Applehead due to her habit of luring unsuspecting victims by posing as a feeble old lady (with an apple as part of her guise, if memory serves). Significance: Applehead is part of the scheme to capture Kaneki for Tsukiyama’s gourmet dinner. She invites Kaneki to her home under false pretenses, which leads to Kaneki’s capture. Later, when Touka and Nishiki come to rescue Kaneki and Kimi, Applehead reveals her ghoul nature and fights Touka. However, Touka swiftly overpowers and kills her (this happens in the manga; the anime shows a very brief confrontation). While her role is short, Kie Muramatsu shows the cunning some ghouls use to hunt – disguising as a harmless person to prey on the compassionate. Her existence also demonstrates that ghouls come in all shapes and ages; even a grandmotherly figure can be a predator in this world. Within the CCG records (as noted by investigator Houji), Applehead was a wanted ghoul, and indeed Houji was the one who had taken her down before (in a side story). So her being alive and part of the restaurant indicates she was active until Touka dealt with her. Overall, Kie Muramatsu/Applehead is a small but memorable example of Tokyo Ghoul’s deceptive characters and also serves to further the plot by being one of the early threats Kaneki faces.
Kazuichi Banjou
A ghoul from the 11th Ward who initially leads a small group of ghouls. Banjou has short spiky hair and a distinctive X-shaped scar on his face. Despite his somewhat intimidating looks, Banjou is a well-meaning, if slightly goofy, character. He used to be the boss of the 11th Ward ghouls (after the previous leader, Rize, left). When Aogiri Tree took over the 11th Ward, Banjou’s group was subjugated. Banjou actually admired Rize (he considered her like an angel of their ward) and, ironically, falls under Kaneki’s leadership because Kaneki has Rize’s scent. Significance: Banjou provides some comic relief and becomes a loyal companion to Kaneki. When Kaneki willingly walks into Aogiri’s base to investigate, Banjou and his three clumsy henchmen (the trio of Ichimi, Jiro, and Sante) end up assisting Kaneki and later even help him escape after Kaneki’s torture. Banjou isn’t very powerful – his kagune never fully manifests properly (it tends to sputter out, which is played for laughs) – but he compensates with heart and determination. He truly cares about those under his wing. In Tokyo Ghoul:re, Banjou is part of Kaneki’s organization (Goat) and remains a trusted aide. He helps coordinate the ghoul refugees and keeps morale up. Banjou’s most notable contributions are his steadfast loyalty and the way he can rally other ghouls to trust Kaneki. For example, after the fall of Aogiri, Banjou takes charge of former Aogiri members and brings them over to Kaneki’s side. His almost brotherly attitude toward Kaneki (calling him “aniki” meaning older brother/boss) is endearing. Banjou’s character also highlights the impact Rize had on various ghouls; in his case, he loved her, which indirectly ties him to Kaneki. While not a major fighter, Banjou’s significance lies in being a glue character – he binds together different ghoul factions under Kaneki with his earnest, friendly nature. And often, a bit of levity through his comedic incompetence in fights makes intense scenes lighter.
Kichimura Washuu
Also known by the alias Furuta, he is one of the primary antagonists revealed in Tokyo Ghoul:re. Kichimura Washuu initially appears as a somewhat goofy and harmless CCG investigator working under Yoshitoki Washuu (the Bureau Chief). He has unremarkable black hair and round glasses, often acting subservient or making self-deprecating jokes. However, this persona is a façade. In truth, Furuta is a member of the secret Washuu family (the ruling clan of the CCG who are actually ghouls themselves). He was part of a V organization scheme and a classmate of Rize in a certain “garden” (a facility where half-ghoul children were raised). Significance: Furuta reveals himself to be the mastermind behind many events. He was the one who caused the steel beam accident that led to Rize’s presumed death (and Kaneki’s transformation), orchestrating that incident because he wanted to eliminate Rize and use her kakuhou for Kanou’s experiments. Essentially, Furuta set Kaneki’s entire journey in motion from the shadows. In :re, Furuta kills the CCG Chairman and takes over the organization, declaring himself Bureau Chief. He then unleashes a series of plans, including releasing a toxin that transforms humans into ghoul-like creatures and creating the massive kagune monster “Dragon” by using Kaneki. Furuta’s goals are tied to breaking the cycle of Washuu clan and V’s control – though not for noble reasons, but rather his own twisted desire to “play king” of a changed world. Personality-wise, Kichimura/Furuta is cunning, deceptive, and completely amoral. He treats life and death as a game; even in fights, he cracks jokes. When he finally faces Kaneki in the final battle, he shows his ghoul side (with a peacock-like kagune). Ultimately, Kaneki defeats Furuta. In his dying moments, Furuta strangely expresses a sort of relief and reminisces about Rize, hinting that part of his drive was a personal, possibly romantic, fixation and resentment. Furuta is significant because he ties together many plot threads – the Washuu’s secret, Rize’s importance, the betrayal within CCG – and serves as Kaneki’s final human(oid) adversary. He embodies the corruption and manipulation that pervaded the world of Tokyo Ghoul from the start, making him a complex villain behind a clownish mask.
Enji Koma
A ghoul working at Anteiku, usually referred to simply as Koma. He’s a friendly, bearded man who often works in the cafe’s kitchen alongside Irimi. Like Irimi, Koma also has a secret past: he was formerly the leader of the 20th Ward’s Devil Ape gang. His alias was “Devil Ape,” and his gang members wore ape masks. Koma, similar to Irimi, gave up the gang life to peacefully work at Anteiku under Yoshimura. He’s fond of making coffee and is kind to customers. Significance: When Anteiku is attacked by the CCG, Koma dons his old ape mask and leads a last stand with remaining ghoul allies to protect their home. He fights bravely against the investigators, demonstrating why he once had a fearsome reputation. Koma wields a kagune with immense physical strength (befitting an “ape”), and his combat experience is clear. He and Irimi together stall the CCG forces to buy time. Koma’s importance is much like Irimi’s – showing that ghouls who once were violent can seek a better path, and when push comes to shove, they will fight and sacrifice themselves for their loved ones. Koma is also something of a father figure or at least a reliable senior for the younger ghouls at Anteiku. He’s often seen joking around or keeping everyone’s spirits up. After the events of Tokyo Ghoul, in :re it is implied Koma (and Irimi) might have survived the onslaught, but they stay hidden. Their legacy is carried by Touka and the others who remember their act of valor. Enji Koma adds richness to the lore: his moniker Devil Ape and Irimi’s Black Dog were almost urban legends among ghouls. Thus, having these legends quietly serving coffee emphasizes the theme of trying to live peacefully despite a violent past. Koma’s character reinforces Yoshimura’s influence – how the Anteiku manager reformed these once-dangerous ghouls through compassion and gave them purpose beyond killing. In the end, Koma’s loyalty to Anteiku cost him dearly, but it also solidified Anteiku’s status as more than just a cafe; it was a family worth dying for.
Yoshimura
The kindly manager of Anteiku, an older ghoul who goes by the pseudonym Yoshimura but whose real name is Kuzen. He is a gentle, bespectacled old man who serves coffee and offers shelter to ghouls in need. Yoshimura takes in Kaneki and teaches him how to live as a ghoul without losing his humanity. However, Yoshimura harbors a heavy secret: he himself is a powerful ghoul, formerly known as the One-Eyed Owl (not to be confused with his daughter Eto, the true One-Eyed Owl; Yoshimura was the figure the CCG believed to be the Owl for a long time). In his youth, Yoshimura fell in love with a human woman (Ukina) and they had a half-ghoul child (Eto). After tragedy struck his family, Yoshimura distanced himself and eventually founded Anteiku to atone for his past (when grief drove him to become a kakuja and commit violence). Significance: Yoshimura embodies the possibility of peace between races – he valued human life, and Anteiku’s operation of only using suicide victims as food was his way of minimizing harm. He served as a mentor to nearly every young ghoul in the 20th Ward (Touka, Kaneki, Hinami, etc.), preaching the importance of holding onto one’s heart and not giving in to destructive impulses. When the CCG raids Anteiku to finally eliminate the Owl, Yoshimura decides to face them to protect everyone else. He dons a distinctive owl-shaped kagune armor and reveals himself as the “Non-Killing Owl.” Yoshimura fights multiple investigators, including Kisho Arima. He is eventually defeated and captured, but notably kept alive (in a vegetative state) because CCG wanted to use him to lure the true Owl (Eto). Yoshimura’s impact on the story is profound – he is Eto’s father, Kaneki’s mentor, Touka’s foster parent figure, and effectively the cornerstone of the peaceful ghoul haven that was Anteiku. Even after Anteiku’s fall, his teachings influence Kaneki’s ideology in building a world of coexistence. In the finale of :re, Eto rescues Yoshimura’s inert body from Cochlea prison but his final status is left slightly ambiguous (implied to have died or remained comatose). Yoshimura’s life is a tale of love, loss, atonement, and hope. He proved that ghouls and humans could care for each other, and through Anteiku’s legacy, he continued to protect both sides. Fans often see him as the moral center of the series. His polite, fatherly demeanor and tragic backstory make him one of the most poignant characters in Tokyo Ghoul.
Kuki Urie
A central character from Tokyo Ghoul:re. Urie is a young investigator who is part of the experimental Quinx Squad, humans with quinque crystals implanted in them to give them ghoul-like abilities while remaining mostly human. Urie is introduced as the squad’s leader (Rank 2 Investigator) and is very ambitious, focused on rising in the CCG ranks. He’s a slim guy with black hair and a serious, often cold expression. Urie initially has a chip on his shoulder, often frustrated that Haise Sasaki (Kaneki) holds him back from reckless actions and that his teammates (like Shirazu) outrank him temporarily. Significance: Urie’s journey is one of significant character development. At first, he’s somewhat self-centered, obsessed with performance and proving himself (partly due to his father’s death in the line of duty – he feels pressure to live up to that legacy). Urie even endangers teammates by acting impulsively on missions. However, as the story unfolds, he experiences loss (witnessing Shirazu’s death, for instance) and begins to understand the value of teamwork and empathy. Urie’s own quinque implant continues to evolve, and he struggles with the risk of losing his humanity as he uses more ghoul power. Under Saiko’s and others’ influence, Urie mellows out and becomes a more caring leader. By the later part of :re, Urie is effectively the field leader of the Quinx and deeply cares for his squad members, going to great lengths to save Mutsuki and others when they go astray. Urie’s significance also ties into the internal conflicts of the CCG – when the organization splits, Urie initially is torn but ultimately sides with Kaneki’s peaceful faction, proving he has adopted Haise’s teachings at heart. His character highlights themes of power vs. responsibility and how grief and ambition can warp one’s path if not kept in check. In the end, Urie visiting Shirazu’s grave and promising to live well shows how far he came from the cold, glory-seeking rookie to a mature investigator who values comrades above personal reward. Kuki Urie provides a human perspective in :re, bridging the gap between the traditional CCG upbringing and the new Quinx methods.
Take Hirako
A First Class Ghoul Investigator who was formerly Kishou Arima’s loyal partner. Hirako is a quiet, stern-looking man who often operated in the shadows. He doesn’t speak much, but he’s highly competent. Hirako worked with Arima in the S3 Squad and was frequently by Arima’s side during major operations (like the Owl extermination). Significance: Hirako’s role grows in Tokyo Ghoul:re after Arima’s death. He feels a deep loyalty to Arima and thus, when Kaneki (as the One-Eyed King) emerges following Arima’s final wishes, Hirako and the rest of the Hirako Squad (a group of investigators loyal to Arima) defect from the CCG to support Kaneki. This is a turning point showing not all investigators follow the corrupt leadership – some, like Hirako, honor the will of a true hero (Arima). Hirako and his squad help rescue Hinami and fight against Furuta’s forces. Hirako himself engages his former colleagues to protect Kaneki’s people. Take Hirako is a steady presence; even though he’s not flashy, he’s a symbol of integrity within the CCG. His decision to break away and side with ghouls he once hunted underscores the theme of unity against a greater evil. Additionally, Hirako had appeared way back in the prequel Tokyo Ghoul: JACK (which showed his youth with Arima), giving him some backstory as someone who always followed Arima. Without many words, Hirako represents the investigators who can adapt their beliefs when the truth is revealed. Post-war, Hirako presumably plays a role in the new unity organization that forms after CCG, continuing to keep order but now with a very different approach. Fans appreciate Hirako as an unsung hero – always in the background doing the right thing, even if it meant betraying the institution he dedicated his life to.
Hisashi Ogura
Not a field character but rather a ghoul researcher and media personality in the Tokyo Ghoul world. Dr. Ogura is an academic who often appears on television talk shows, discussing ghouls. He is a human who’s somewhat sympathetic to understanding ghouls. He authored books about ghouls and is one of the few public figures openly knowledgeable about them. Significance: Ogura’s presence mainly serves a world-building purpose. Through TV segments that characters watch, we learn bits of exposition and the general public’s perception of ghouls. Ogura tends to provide a moderate view, educating the public that ghouls have society and culture of their own. Later in Tokyo Ghoul:re, it’s revealed that Dr. Ogura was actually secretly connected to the Clowns (the clown-masked ghoul anarchists). He helped spread some chaos indirectly by fueling public discourse. However, his ultimate intentions seem to lean towards co-existence. After the final events, Ogura becomes part of the effort to integrate ghouls by continuing to inform and reassure the public. He’s shown in the epilogue giving a talk, explaining changes such as ghouls consuming synthesized food. So, Hisashi Ogura acts as the voice of knowledge in the series. While not involved in battles, he influences public opinion and provides insight into ghoul biology and behavior. Essentially, he’s the academic viewpoint in a story filled with fighters. Ogura’s participation with the Clowns also demonstrates how even intellectuals got roped into the machinations around ghouls, showing that the conflict extended beyond just CCG and Aogiri – it had elements of information warfare and propaganda too.
Ippei Kusaba
A minor Ghoul Investigator (Rank 3) who appears at the very beginning of the story. Kusaba is partnered with investigator Nakajima in the 20th Ward under Mado’s guidance. He’s a young, relatively green investigator. Significance: Ippei Kusaba’s main role is to be a victim to establish stakes. He and Nakajima encounter Touka and Nishiki one night; Touka, enraged by Mado killing Ryoko (Hinami’s mother), attacks them. In the scuffle, Touka kills Kusaba. This incident shows the ferocity of Touka and the danger investigators face. It also has consequences: after Kusaba’s death, CCG increases its focus on the 20th Ward, which in turn leads to sending Amon and Akira later. So, Kusaba is essentially a plot device to escalate the conflict. His death also impacts his partner Nakajima, who is later shown fearful and quitting the force (in the manga). Kusaba doesn’t have character development – he’s one of the early casualties of the ghoul-human war. But every loss in CCG, no matter how small, is used to justify bigger actions by the investigators. Kusaba’s death indirectly pressures Amon to perform better and makes Mado’s unit even more zealous. From the ghoul perspective, Touka killing Kusaba is a point of no return for her in terms of being on CCG’s radar. In summary, Ippei Kusaba represents the many nameless (or briefly named) humans who perish in the line of duty, highlighting how ghouls, even the ones we root for, do take lives which then fuels the cycle of vengeance from the CCG side.
Touka Kirishima
The primary female protagonist of the series. Touka is a teenage ghoul who works as a waitress at Anteiku to blend in. With her short dark hair (often styled with a side-swept bang) and piercing blue eyes, she balances the life of a student by day and ghoul vigilante by night. Touka is tough, irritable, and quick to resort to violence, but this rough exterior guards a deeply caring and loyal heart. She has a younger brother, Ayato, and both lost their father (Arata) when they were small, which has affected Touka’s outlook – she longs for a normal life but is also fiercely protective of her loved ones. Significance: Touka is Kaneki’s first ghoul friend and the one who teaches him how to survive as a ghoul. Though she initially finds Kaneki annoying (his hesitation to eat disgusts her), she grows to see his kindness and befriends him. Touka’s character has many memorable moments: she avenges Hinami’s mother by killing Kureo Mado, she struggles with trying to continue her human life (attending school and having a human friend, Yoriko, whom she must lie to), and her conflicted feelings for Kaneki as he drifts away. Touka’s development is about reconciling her violent ghoul side with her desire for normalcy. One iconic scene is when she tries to eat human food (her friend Yoriko’s homemade dinner) and forces herself to smile through the pain and nausea, only to break down crying – it’s a powerful portrayal of how she yearns to be part of the human world. Later, in :re, Touka takes on a leadership role at the coffee shop :re and eventually reuniting with Kaneki. Their relationship blossoms into romance, and they even marry and have a child by the story’s end. Touka fights numerous battles (she’s known by the alias Rabbit by the CCG due to her rabbit-shaped mask). Her kagune is a swift, wing-like appendage that allows her to move fast and shoot out shard-like projectiles. In the final arcs, Touka stands by Kaneki as one of his closest allies, helping in the fight against Furuta and the Dragon. Touka’s significance cannot be overstated: she represents the possibility of a ghoul living relatively peacefully with humans, she is one of Kaneki’s main motivations to keep fighting (as someone he loves), and through her family ties (Ayato and Arata) she’s connected to various plot threads. Fans admire Touka for her strength, loyalty, and growth from a lone, vengeful teen to a compassionate leader and mother who finally attains a measure of the normal life she dreamed of.
Donato Porpora
A ghoul with the appearance of a kindly old priest. Donato is actually an infamous ghoul from Russia known as “Priest”. He was captured and imprisoned in Cochlea (the ghoul detention center) for a long time. Donato is unique because he raised a human child – Koutarou Amon – in an orphanage, only to later be revealed as a ghoul who had been eating the other orphans. This twisted upbringing scarred Amon deeply. Donato has a very calm, almost benevolent demeanor, but it masks a cruel and cunning nature. In Cochlea, he is cooperative but also manipulative. Significance: Donato’s main relevance is tied to Amon’s backstory, explaining Amon’s drive to bring justice to “monsters”. Later, during the Cochlea break in Tokyo Ghoul:re, Donato is freed by the Clowns. He becomes a member of the Clowns and engages in the final battle. Amon, now part-ghoul, ends up confronting his foster father Donato in a highly emotional fight. Donato uses his kagune (which allows him to create clone-like flesh puppets) to confuse Amon, and taunts him psychologically. However, Amon ultimately kills Donato, getting closure on his past. Donato’s character explores the theme of nature vs nurture – Amon, raised by a ghoul, chose to fight for humans, whereas Donato, who raised a human, still viewed humans merely as food. Donato’s ability to blend in as a charitable priest for years undetected shows the extent of ghoul infiltration in human society and the deceit they can pull off. He also provides one of the big linkages between the main story and Amon’s personal arc. Additionally, Donato had some involvement with other Clowns in orchestrating chaos (there are implications he helped in certain terrorist acts in :re). In the end, as he dies, he muses that he wanted to see what kind of person Amon grew up to be – in his own twisted way, he considered Amon his son. This adds a layer of tragedy to his otherwise villainous role. Donato Porpora is a chilling character, demonstrating that not all ghouls are sympathetic – some are truly predatory in the worst ways – yet even he possessed a semblance of human attachment, as shown in his final moments regarding Amon.
Asaki Fueguchi
The husband of Ryoko Fueguchi and father of Hinami. Asaki is a ghoul (the mate of Ryoko) who, by all accounts, tried to live peacefully. Not much of him is seen in the story; he’s mostly referenced. Significance: Asaki Fueguchi is mainly part of Hinami’s tragic backstory. He was killed by investigators (Kureo Mado) shortly before the main events. The CCG had tagged him as “suspect 696” and after his death, they set traps to lure Ryoko and Hinami out. Asaki’s off-screen death sets the stage for Ryoko and Hinami’s vulnerability. It’s later hinted (in the anime’s added scenes or supplemental info) that Asaki might have had some run-ins with ghouls like Yamori (Jason) or others, but these details are not heavily explored. Asaki’s significance is that his demise is one of the first casualties that draws Kaneki and Touka into conflict with CCG to protect Hinami. He also is a case study that even peaceful ghoul families were not spared by investigators. His death at Mado’s hands (Mado took his kagune and made it into a quinque) also indirectly leads to Mado’s downfall because Hinami recognizes her father’s and mother’s kagune in Mado’s quinque, enraging her and Touka in their fight with Mado. In summary, Asaki Fueguchi’s presence in the story is small but pivotal for motivating characters like Hinami (to grow stronger) and Touka/Kaneki (to step up as protectors). He represents all the faceless ghouls who tried to live quietly but were caught in the crossfire.
Noro
A mysterious, high-ranking ghoul affiliated with Aogiri Tree. Noro is an eerie figure, always wearing a mask that has a wide, toothy grin and never speaking a word. He has a very tall and large build and is always seen in a dark cloak. Noro’s kagune is exceptionally bizarre and terrifying – he has an overwhelming regenerative ability and his kagune can extend as a mass of tentacles that can chomp through almost anything. Noro often suddenly appears to wipe out squads of investigators or to support Eto (the One-Eyed Owl). Significance: Noro acts as a sort of guardian for Eto Yoshimura. It is later revealed that Noro was one of the founding members of the Clowns (under the name Noroi) and he took care of Eto when she was a child, essentially as her guardian or caretaker. This explains his unwavering loyalty and silence (some speculate his mouth was damaged or modified to turn him into the near-mindless eater he is now). In battle, Noro is incredibly hard to kill – investigators find that even decapitating him doesn’t work as he can regenerate his head. Eventually, in :re, members of the Quinx Squad (particularly Shirazu) manage to kill Noro by exploiting the delay in his regeneration (attacking a particular spot continuously). When Noro dies, he utters one word – “Eto” – revealing his attachment to her even at the end. Noro’s presence ups the ante during fights, serving as one of the most daunting ghoul adversaries for the CCG due to his unique powers. He also embodies the extent of ghoul experimentation – it’s implied Dr. Kanou or the Clowns did something to augment him. Through Noro’s relationship with Eto, we get a rare hint at Eto’s vulnerable side; she cared enough to keep her old guardian around. Noro is, in essence, a force of nature in the series – almost more monster than humanlike – emphasizing the horror aspect of ghouls. His defeat is a notable victory for the Quinx and marks a turning point in the Owl Suppression Operation (Rose Operation) during :re.
Yoriko Kuroiwa
Initially introduced as Yoriko Kosaka, she is Touka’s human best friend from high school. Yoriko is a cheerful, normal girl who loves to cook and often shares homemade food with Touka (not knowing Touka can’t actually enjoy it). She represents the normal life Touka tries to partake in. Yoriko is completely unaware of Touka’s identity as a ghoul throughout the original series. Significance: Yoriko’s friendship means a lot to Touka – it is one of Touka’s tethers to normalcy. However, this friendship is put in jeopardy when, in Tokyo Ghoul:re, Yoriko (now an adult and married to Takeomi Kuroiwa, a CCG investigator) is falsely accused by Furuta of being connected to ghouls. Furuta does this specifically to bait Touka. Yoriko is arrested and set to be executed for allegedly baking a “ghoul meat pie” for a ghoul (the accusation is baseless, it was just a normal pie she baked for Touka as a gift). This spurs Touka to consider desperate action, but ultimately Kaneki (as the One-Eyed King) intervenes by negotiating a deal to free Yoriko in exchange for his surrender. Thanks to that, Yoriko is spared. She eventually has a baby and lives happily, never truly knowing how Touka and Kaneki impacted her fate. In the epilogue, Touka finally reconnects with Yoriko (now under the name Yoriko Kuroiwa, after marriage) and they rekindle their friendship, with Yoriko meeting Touka’s child, etc. Yoriko’s character highlights the challenge ghouls face in connecting with humans. Touka treasured Yoriko’s friendship but constantly feared that if Yoriko learned the truth, she’d be rejected or endangered. Yoriko’s legal trouble in :re also showcases Furuta’s cruelty (targeting an innocent human to get at Touka) and Kaneki’s willingness to sacrifice himself for others. Yoriko is essentially an example of an ordinary human who unknowingly becomes intertwined in the ghoul world. Her happy ending is a small but significant victory in the theme of coexistence – Touka didn’t lose her dear friend after all, and in a better world they could share time together without lies.
Arata Kirishima
The father of Touka and Ayato Kirishima. Arata was a ghoul who loved his children deeply. He used to over-hunt (preying on ghoul investigators) in order to gather food for his kids, which attracted the attention of the CCG. Eventually, Arata was captured by the CCG (specifically by Kureo Mado and Shinohara). Instead of killing him, the CCG scientists harvested his kakuhou and turned Arata into a living quinque armor. This quinque, named “Arata,” grants its wearer enhanced ghoul-like abilities (at the cost of straining their body). Significance: Though Arata himself is no longer active, his presence is felt via the quinque armor that appears in key battles. Special Class Shinohara wears the Arata armor during the Owl battle, and later Koutarou Amon is offered a variant of Arata armor (Arata proto) which he uses in a fight. The existence of Arata as a quinque is a source of anguish for Touka and Ayato when they find out – their father is essentially being worn by investigators to kill other ghouls. This adds a personal stake for Ayato in particular, fueling his hatred of the CCG. By the end of :re, Kaneki’s group recovers the remaining parts of Arata’s body from the CCG lab. While Arata himself, as a character, isn’t present, his legacy carries as both a motivation and a symbol: motivation for his children (both to get stronger and to resent the CCG), and a symbol of the brutal cycle (a ghoul who hunted investigators ends up literally empowering investigators to hunt ghouls). There’s also a thematic weight – Touka feared ending up like her father if she gave in to hatred, and she managed to avoid that fate. Arata Kirishima’s storyline emphasizes the tragic price of conflict: a father wanting to provide for his family becomes a tool of war, leaving his children orphaned. It shows the extremes to which the CCG went in using ghoul biology for their advantage, raising ethical questions even within the story. In essence, Arata is gone, but not at peace, until perhaps Kaneki ends the war and ensures no other family suffers the same fate.
Kurona Yasuhisa
One half of the Yasuhisa twins, Kurona and Nashiro. Kurona and her sister Nashiro were human identical twins who became CCG cadets. They lost their investigator parents in an incident (the Owl attack) and were taken in by Dr. Kanou under the pretense of giving them power to fight ghouls. Instead, Kanou turned the twins into one-eyed ghouls by using Rize’s kakuhou. After the operation, Kurona and Nashiro developed ghoul powers (each with one ghoul eye). They defected and eventually became aligned with Aogiri Tree. Significance: Kurona’s arc is tied to tragedy and revenge. She is present during some fights in Aogiri (she and her sister fight Suzuya and Shinohara at one point). However, her twin Nashiro is heavily injured by Suzuya and believed dead. This drives Kurona into despair and rage against Dr. Kanou for what he did to them. In :re, Kurona operates mostly alone, killing Kanou’s ghoul experiments and trying to draw him out. She confronts Kaneki (as Haise) at one point to get information. Kurona’s final stand is when she attempts to kill Kanou in his lab, but Kanou releases a ghoul monster to stop her. Kaneki intervenes; Kurona teams up with Kaneki to defeat the creature. Mortally wounded, Kurona dies after confirming that Kanou escaped. Before dying, she hallucinates Nashiro by her side, indicating that in death the twins “reunite.” Kurona’s story highlights the cruelty of Kanou’s experiments and provides an emotional angle to the concept of artificially made ghouls. Unlike Kaneki (who tried to maintain his humanity), Kurona lost everything (her sister, her purpose) and was consumed by vengeance. The Yasuhisa twins also show a mirror image to the Kirishima siblings or other familial relationships, but with a much more tragic end. Kurona also contributes to Kaneki’s understanding of Kanou’s operations. Through her, Kaneki learns more about what happened to others like him. Overall, Kurona Yasuhisa represents the victims of the system – used by both sides (CCG and mad scientists) – who had little choice in their fate. Her brief alliance with Kaneki in her final moments is a glimmer of her true self beyond the rage, as if Nashiro’s memory brought some peace to her at the end.
Nashiro Yasuhisa
The other twin sister of Kurona. Nashiro had white hair (contrasting Kurona’s black hair after their transformation, a result of the stress on their bodies). She and Kurona were inseparable for most of their life. Under Dr. Kanou’s experiment, they each got one kakuhou, effectively making them incomplete ghouls when alone, but Kanou hypothesized they could become stable if one absorbed the other. The twins refused and stayed together. Significance: Nashiro’s direct appearances are limited – her main contribution is her “death” which fuels Kurona’s storyline. In the battle with CCG (Juuzou and Shinohara), Nashiro is gravely wounded protecting Kurona and later is said to have died (though in the manga it’s slightly ambiguous if she died immediately or later). After that, she only appears in Kurona’s hallucinations or flashbacks. In one of Kanou’s later experiments, he actually revives Nashiro’s body in a grotesque form attached to a creature, which Kurona encounters. This causes Kurona immense grief seeing her sister used like that. Kaneki later mercifully kills that creature, putting Nashiro’s body to rest. Nashiro’s importance lies in her bond with Kurona – she was the calmer and gentler of the two, and without her, Kurona lost stability. Thematically, the Yasuhisa twins parallel the Kirishima siblings or even Kaneki/Hide in terms of close bonds, but their fate is much darker, emphasizing the heavy costs of the events that transpire. Nashiro’s memory is what humanizes Kurona for the audience. Even as Kurona did horrible things, her motivations rooted in the loss of her twin make her sympathetic. Nashiro’s story is another tragic footnote in Kanou’s list of victims. It drives home the point that Kanou’s pursuit of creating one-eyed ghouls left behind a trail of broken people. Although Nashiro doesn’t get to develop as an individual character much, her presence is felt through Kurona until the very end.
Iwao Kuroiwa
A highly respected Special Class Investigator in the CCG. Kuroiwa is a burly, mature man with a mustache, often seen wielding a powerful quinque. He has a very professional and composed demeanor. Kuroiwa is part of many key operations: he fought in the 11th Ward campaign against Aogiri and in the Anteiku raid. He is known for his immense strength and skill, often battling SSS-rated ghouls. Significance: Kuroiwa provides the perspective of a veteran who has survived many battles. He mentors younger investigators like Takeomi (his son) and Akira Mado. During the Owl Suppression Operation, Kuroiwa battles alongside others to subdue the Owl. In :re, Kuroiwa continues to serve diligently. He eventually becomes one of the few investigators to side with Marude and Akira when the CCG’s corruption comes to light. Kuroiwa leads squads in the final battles against Furuta’s forces. His experience and level-headedness help keep the investigators unified. Also, being the father of Takeomi (who marries Yoriko) links him indirectly to Touka’s story; it’s a small world moment that Touka’s best friend marries the son of a top investigator. Kuroiwa survives all the way through the end, one of the few older investigators to do so. After the events, he presumably is part of the new order maintaining peace. Kuroiwa’s character exemplifies honor and duty. Unlike some investigators who carry bias or grudges, Kuroiwa is more pragmatic. He acknowledges the necessity of cooperation in the endgame (he doesn’t let personal hate override strategy). Fans respect Kuroiwa for being a “badass normal” – a human with no special gimmicks who can take on super-strong ghouls and hold his own. For example, he helped fight the One-Eyed Owl and survived encounters with the likes of Noro. In summary, Iwao Kuroiwa stands as a pillar of the CCG’s positive side: courageous, wise, and adaptable. He’s part of the old guard that helped pave the way for a new era of understanding by accepting change rather than resisting it.
Katsuya Mabuchi
A Rank 1 Ghoul Investigator introduced in Tokyo Ghoul √A (and appearing in :re). Mabuchi is a subordinate of Marude in Division II. He’s relatively young, has short dark hair, and wears the standard investigator suit. Mabuchi doesn’t have a ton of screentime, but he is seen during the Anteiku raid and then later in :re involved in missions. Significance: Mabuchi represents the regular investigators who carry out orders and support the main teams. In the Anteiku raid, he’s part of Marude’s command and helps coordinate the assault. In Tokyo Ghoul:re, Mabuchi is notably part of the team that works with Takeomi Kuroiwa. He survives various fights and is present in meetings. One interesting part is that in the :re manga, Mabuchi encounters Amon (after Amon’s presumed dead) disguised as the one-eyed ghoul Scarecrow and helps him at one point, hinting Mabuchi had some realizations about the ghoul situation. Mabuchi’s known for being dutiful and straightforward. While he doesn’t have a spotlight moment, his role is to fill out the realistic portrayal of CCG: not everyone is a Quinx or a legendary ace, many are just typical investigators doing their best. By the end, Mabuchi is implied to continue serving in the post-CCG organization. His character shows camaraderie (he gets along with colleagues, worries about them, etc.). In short, Katsuya Mabuchi might not be famous in-story, but he’s one of those foot soldiers who collectively make a difference. The absence of personal vendetta or flashy quirks in him emphasizes that in this war, much of it was fought by ordinary people on both sides, not just the exceptional individuals.
Ken Kaneki’s Mother
Her name is not explicitly given in the story, but Kaneki’s mother plays a pivotal role in his early life through flashbacks. She was a single mother who raised Kaneki after her abusive sister (Kaneki’s aunt) took advantage of her kindness. Kaneki’s mother was gentle and believed strongly in the idea that “it’s better to be the one who gets hurt than the one who hurts others,” a philosophy she passed to Kaneki. She worked herself to exhaustion to pay debts for her sister, ultimately dying of overwork when Kaneki was very young. Significance: Kaneki’s mother’s philosophy initially seems virtuous and instills kindness in Kaneki, but it’s also criticized in the narrative as being flawed because it led to her own demise and left Kaneki alone. Kaneki, after experiencing the cruelty of the world, starts to question her mantra. When Kaneki is tortured by Jason, he has hallucinations of Rize arguing with him, where Rize (a part of Kaneki’s psyche) points out that his mother’s philosophy failed him and that he needs to prioritize himself for once. This is a turning point where Kaneki decides to embrace his ghoul side to survive (the metaphoric scene of Kaneki “accepting” Rize by consuming her in his mind). So in essence, Kaneki’s gentle nature and self-sacrificial tendency trace back to his mother’s influence. It made him a compassionate person, but also an easy target in some ways. Kaneki’s eventual growth involves finding a balance between his mother’s teachings and the harsh lesson that he cannot protect others if he keeps letting himself be hurt. In the end, Kaneki understands the nuance: one should be kind, but not let that kindness become self-destructive. Kaneki’s memories of his mother continue to fuel him – he often recalls how she smiled and told him that line – and even after he evolves past the initial naive interpretation, he honors her memory by striving to protect others without making the same mistake she did. Thus, Kaneki’s mother, despite minimal presence, is a key to understanding Kaneki’s character and internal conflicts.
Goumasa Tokage
A former CCG investigator known for his sadistic streak. Tokage was a combat instructor at the CCG Academy and previously an interrogator at the ghoul prison Cochlea. He appears in the spin-off Tokyo Ghoul: Jack and has a minor mention in :re. Tokage tortured the ghoul Yamori (Jason) in Cochlea, which inadvertently contributed to Jason becoming the brutal torturer we see later. Tokage had a reputation for cruelty even by CCG standards, enjoying breaking ghouls during questioning. Significance: Though Tokage doesn’t appear in the main series’ present timeline, his actions have ripple effects. By torturing Jason mercilessly, he essentially created a monster who would later inflict the same pain on Kaneki. In Tokyo Ghoul:re, Tokage is briefly shown in a flashback at the Academy, and it’s noted that he was indirectly responsible for Kaneki’s torture (since he shaped Jason’s methods). Tokage was eventually killed by Arima (in the Jack storyline, Arima eliminates him for treason or misconduct). Tokage’s inclusion serves to blur the moral lines: not all humans are good guys in this war. Some, like Tokage, are as monstrous as the worst ghouls. He exemplifies the theme that cruelty breeds cruelty – his mistreatment of Jason led to Jason’s extreme sadism, which then deeply scars Kaneki. It’s a cycle of violence propagated by individuals like Tokage on the human side. While not a well-known character, for those who dive into all Tokyo Ghoul lore, Tokage stands out as an example of CCG’s dark side. He’s a reminder that both organizations (CCG and Aogiri) had people who enjoyed violence for violence’s sake. In summary, Goumasa Tokage is a background character with notable impact: an instigator of events that shaped the main narrative’s villains.
Karren von Rosewald
Also known as Kanae von Rosewald, she is a ghoul from a European noble lineage (the Rosewald family) who serves the Tsukiyama family. Karren disguises herself as a male servant “Kanae” and is fiercely devoted to Shuu Tsukiyama. She has short silver hair and a reserved demeanor. Karren’s backstory: her family was destroyed by the CCG, and Shuu’s family took her in. She fell deeply in love with Shuu (although he only ever treated her as a dear servant/friend). Significance: Karren plays a big role in Tokyo Ghoul:re. When Tsukiyama falls into depression after Kaneki’s disappearance, Karren does everything to help him, including fighting off enemies. She has a complex rivalry with Touka, since she senses Touka’s importance to Tsukiyama (leading to some jealousy). In the Tsukiyama Family Extermination arc, Karren (as Kanae) confronts Haise (Kaneki) in fierce battles, desperate to protect Shuu but also resentful of Haise for “replacing” Shuu’s thoughts of Kaneki. Later, it’s revealed Karren was working with the Clowns (particularly Souta) under duress to restore Tsukiyama’s status. In the end, Karren sacrifices herself by cushioning Shuu from a deadly fall off a building during the CCG raid. Mortally wounded, she confesses her feelings to Shuu and dies in his arms. Karren’s death profoundly affects Tsukiyama, motivating him to join Kaneki’s cause so that her sacrifice won’t be in vain. Karren is significant for highlighting Tsukiyama’s capacity to inspire loyalty and love, and also showing the tragedy of the ghoul elite world – even those of noble blood meet tragic ends. Her masquerade as a male servant touches on her willingness to erase her identity for Tsukiyama’s sake. In thematic terms, Karren’s devotion and ultimate fate underscore the high personal costs of the ghoul-human war, even among characters who might have lived fairly safe lives (as nobles) if not for the war. She is a beloved character among fans for her loyalty and the poignant, heartbreaking nature of her unrequited love for Shuu Tsukiyama.
Matasaka Kamishiro
Also known by the nickname Shachi, he is a powerful ghoul who once led the 6th Ward. Matasaka inherited the surname Kamishiro from his mentor (hence sharing with Rize, though he’s not blood-related to her). He’s a hulking man, very strong and skilled in martial arts. Matasaka was captured by the CCG and held in Cochlea until Aogiri Tree freed him. Significance: Shachi has a connection to Kaneki’s past; in the light novel, he had met Kaneki’s father years ago. In Tokyo Ghoul:re, Kaneki (as Haise) encounters Matasaka during an operation on a remote island (Rue Island). They engage in a fierce fight where Shachi’s combat prowess gives Haise a very tough challenge (he nearly defeats Haise). It takes Arima’s intervention to finally subdue Shachi. Matasaka’s significance is partly in expanding the world – he’s an older generation ghoul with a code of honor (he doesn’t kill needlessly). He was also a father figure to Rize for a time (protecting her when she fled V). His defeat by Arima serves to show Arima’s might again, and after being recaptured, Shachi’s status is unclear, though likely executed or imprisoned until freed at the end. Matasaka Kamishiro exemplifies the veteran ghoul who isn’t inherently malicious but got swept up in the conflict. His strength is legendary enough that even Aogiri sought him. He also adds depth to Rize’s storyline (revealing that Rize had someone caring for her at one point). In essence, Matasaka’s presence adds richness to the tapestry of ghoul factions and brings in elements of ghoul society beyond Tokyo. He doesn’t have a huge role in the main plot outcome, but he leaves an impression, particularly for being one of the few who could nearly best Kaneki in a fair fight.
Ginshi Shirazu
A major character in Tokyo Ghoul:re, Shirazu is a member (and appointed leader in the field) of the Quinx Squad under Haise Sasaki. He’s a young man with orange hair and a brash personality. Shirazu comes off as a bit impulsive and rough around the edges, but he cares deeply for his squad mates. He joined the Quinx to earn money for his younger sister’s medical treatment (she has a serious illness). Shirazu’s quinque ability manifests as blade-like scales (he calls his kagune “Dragon Tail”). Significance: Shirazu is essentially the heart of the Quinx Squad in :re. He lightens the mood, clashes comically with Urie, and is protective of Saiko. Over time, he grows into his leadership role. In the operation against the Nutcracker ghoul, Shirazu manages to kill Nutcracker, but he’s gravely wounded. Tragically, Shirazu dies from his injuries, despite the squad’s efforts to save him. His death is a turning point for the Quinx Squad: it shatters them emotionally. Urie, who often butted heads with Shirazu, is devastated and blames himself for not being a better second-in-command. Saiko, who was very close to Shirazu, falls into depression. Haise (Kaneki) laments losing another junior under his watch, stirring his resolve. Shirazu’s death underscores the mortal risk even the “half-ghoul” investigators face. It’s also symbolic—Shirazu died shortly after finally earning enough for his sister’s care, making it extra heartbreaking that he never got to reunite with his sister in good circumstances. Later in :re, Shirazu’s body is used as a test subject (it’s implied Kanou stole it), which horrifies his friends when they discover that. Ultimately, the Quinx recover his body and give him a proper burial, and they visit his grave at the end, indicating his sister is taken care of by Urie. Ginshi Shirazu’s character was beloved for his honesty, humor, and courage. He represented the everyman in the Quinx—someone with fears and personal reasons to fight, who rose to heroism when needed. His sacrifice left a lasting impact, motivating his team to grow stronger and stay united. Among the Tokyo Ghoul fandom, Shirazu’s death is considered one of the saddest moments in :re, as he was a genuinely good guy who deserved a better outcome.
Nico
A flamboyant ghoul with a very eccentric and easygoing personality. Nico dresses in flashy clothing and is openly gay-coded, often flirting or using endearing terms for others. He was a subordinate/friend of Yamori (Jason) in the 13th Ward, though unlike Jason, Nico is not particularly violent and even leaves when Jason’s torturing Kaneki because it’s “too much drama.” Nico is later revealed to be affiliated with the Clowns (the chaotic ghoul faction). Significance: Nico’s role is a bit of a wild card. He pops in and out of the story, often providing information or assistance unpredictably. He assisted Kaneki’s group indirectly by giving them a hint about where to find ghouls in need during the 11th Ward incident. In :re, Nico helps rescue Madam A (a human) as part of the Clowns’ schemes and is seen during the final chaos created by the Clowns. Despite being part of the Clowns, Nico is not deeply invested in terror; he seems to just enjoy the spectacle. Notably, Nico is one of the few who survives through to the end, and he’s last seen cheerfully leaving Tokyo amidst the new peace, true to the Clowns’ anarchic spirit of never being caught. Nico’s significance is in showing a ghoul who doesn’t fit neatly into either the Aogiri or peaceful ghoul categories – he’s out for himself (and perhaps his idea of fun), which adds to the sense that not all ghouls are committed to some grand cause. Some just go with the flow of power. Nico is also a rare example of a ghoul who interacts peacefully with humans on occasion (he’s seen hanging out in a human club once). With his playful, unserious attitude, Nico often diffuses tension in scenes. He also shows some genuine compassion at times – like pitying Kaneki’s tortured state (which highlights how extreme Jason was that even Nico left). In summary, Nico is a side character who brings color and unpredictability. He serves the narrative by sometimes moving pieces behind the scenes for the Clowns and demonstrating that in the Tokyo Ghoul universe, there are morally gray individuals who aren’t aligned strongly with hero or villain, but rather their own whimsy.
Koori Ui
A high-ranking CCG Investigator in Tokyo Ghoul:re. Ui is a former protege of Arima and a member of the S3 Squad. He’s known for being strict, duty-bound, and somewhat uptight. Ui has short silver hair and is often seen in a commander role. After the deaths of many seniors and the revolution in CCG, Ui becomes Bureau Chief Furuta’s right-hand man and is promoted to Special Class, leading the investigation force. Significance: Ui initially seems like a rigid character who disapproves of Quinx Squad’s lax attitude and Haise’s ways. He aims to live up to Arima’s legacy. When Furuta takes over, Ui sticks by him, partly out of a desire to keep CCG stable, but he’s clearly uneasy with Furuta’s methods. Eventually, as Furuta’s actions grow more erratic (like framing Akira and abducting people for ghoulification), Ui starts questioning his loyalty. During the final battle, Ui confronts Furuta and learns of the Washuu secret. He sides with the surviving investigators (like Iwao Kuroiwa) to help Kaneki stop Dragon. Ui’s personal journey includes coping with the loss of many comrades (he was close to Hairu Ihei, who died fighting ghouls, and it affected him deeply). There are also hints of an unspoken affection for Hairu that motivates his stern resolve. By the series end, Ui becomes one of the leaders of the united front of humans and ghouls, atoning for his part in Furuta’s regime. Koori Ui’s character represents the traditionalist who must adapt to a new reality. His initial inflexibility yields to understanding that not all ghouls are evil and not all CCG orders are just. Fans have mixed feelings about Ui at first (due to his coldness towards favorite characters), but many appreciate his eventual turnaround and the emotional depth from his grief and sense of responsibility. Ui stepping up to lead in the new era shows how the CCG’s best intentions can be redirected towards coexistence once the blindfold of propaganda is removed.
Akihiro Kanou
Commonly referred to as Dr. Kanou, he is the sinister doctor behind the creation of artificial one-eyed ghouls. Kanou was once a respected surgeon at Kanou General Hospital and actually the one who performed Kaneki’s organ transplant. He secretly transplanted Rize’s organs into Kaneki, fully aware it would turn Kaneki into a ghoul. Significance: Dr. Kanou is one of the overarching villains who stays mostly in the shadows. His goal was to break the status quo by creating one-eyed ghouls that could rival the Washuu (the ghoul clan controlling CCG) and basically upend the existing order. He is responsible for experimenting on many, including Kaneki, the Yasuhisa twins, Amon, and Takizawa, turning them into ghouls. Kanou allied with Aogiri Tree and later the Clowns at times, using their resources to continue his research. Ethically, he’s completely unhinged – viewing his subjects as mere data points for his “greater good.” He also reveals the big secret that the Washuu leaders are ghouls, which is a critical piece of the puzzle. By Tokyo Ghoul:re, Kanou’s lab is discovered and raided. Kaneki confronts Kanou, and Kanou provocatively asks Kaneki if he’s happy as a ghoul. Before Kaneki can decide what to do with him, Kanou is killed by one of his own experiments (a grotesque one-eyed ghoul monster). Kanou dies satisfied, claiming that death as a human was his end goal after accomplishing what he wanted. Through Kanou, we explore the science-horror aspect of Tokyo Ghoul. He is the Frankenstein-like figure, responsible for many of the hybrid characters we see. Without Kanou, Kaneki wouldn’t exist as we know him. Kanou also set in motion much of the chaos in :re by unleashing powerful half-ghouls like Takizawa (Owl). In terms of thematic significance, Kanou demonstrates the extremes of ambition and how someone’s vision for a “better world” (free from the Washuu’s lies) can be pursued through monstrously cruel means. He thought of himself as revolutionary, but he caused immense suffering. Ultimately, Dr. Akihiro Kanou is one of the root causes of the series’ events – the tragic figure who lit the fuse on a powder keg, then watched it burn.
Ichimi
One of the three loyal underlings of Kazuichi Banjou from the 11th Ward. Ichimi, along with his buddies Jiro and Sante, follows Banjou to the 20th Ward and then aligns with Kaneki. Ichimi is characterized by his beanie cap and informal speech. He’s not particularly strong or bright, but he is earnest. Significance: Ichimi and the others provide comic relief and some muscle (albeit low-tier) for Kaneki’s side. They first meet Kaneki when he’s investigating the 11th Ward and later assist in a small way when Kaneki is imprisoned by Aogiri. For example, Ichimi tries (clumsily) to help Kaneki escape and fights off some low-level ghouls. Throughout :re, Ichimi and the boys stick with Banjou, helping him manage the ghoul refugees under Kaneki’s group. They’re the kind of characters who aren’t central to the plot but make the world feel lived-in – not every ally can be super powerful; some are just regular ghouls trying to do what’s right. In the final conflict, they help protect innocent ghouls and humans from Dragon’s chaos, showing their growth from street punks to responsible helpers. Ichimi specifically is sometimes the mouthpiece of the trio, often exasperated by situations but still willing. His devotion to Banjou is strong; they refer to Kaneki as “Aniki” (bro) in solidarity. The trio, including Ichimi, survive through to the end and presumably enjoy the more peaceful era under Kaneki’s leadership. In summary, Ichimi is a minor yet recurring character symbolizing the average ghoul who can choose to follow a better path. Through characters like him, we see that Kaneki’s influence extended beyond just strong allies; he even gave purpose to weak ghouls, turning thugs into something like community aides.
Kiyoko Aura
A distinguished Special Class Investigator in the CCG and notably the first woman to attain that rank in the organization. Kiyoko is a senior figure heading Division I in the CCG during :re. She is an older woman, strict and highly skilled. She’s actually the aunt of investigator Shinsanpei Aura. Kiyoko commanded respect as a trailblazer in a male-dominated hierarchy. Significance: Kiyoko Aura participates in the large-scale operations against Aogiri and later against Kaneki’s organization (she leads an operation in the 24th Ward). She’s seriously injured (loses her legs) in the course of duty when the Owl (Eto) attacks in :re. Despite her injuries, Kiyoko remains steadfast and continues to advise and command from a wheelchair. During Furuta’s regime, she becomes suspicious and eventually supports the rebellion from within CCG. Kiyoko’s character stands as a symbol of dedication and breaking barriers – her being the first female Special Class is emphasized, showing the progress within CCG. Her interactions with her nephew Shinsanpei also highlight the generational differences; she’s all about discipline, while Shinsanpei wavers in loyalty. She ultimately fights to uphold the ideals of CCG – protecting humanity – without the prejudice against cooperative ghouls once it becomes clear that Kaneki is not their enemy. In the end, Kiyoko is one of the surviving top investigators who likely helps transition the CCG into the new peace-oriented organization. Her presence in the story, while not deeply personal, provides representation of veteran female leadership, which was otherwise lacking in the early parts of Tokyo Ghoul. It adds realism in showing that by the time of :re, CCG had diversified a bit. Fans respect her for her strength and don’t-see-often role as an older, authoritative female figure in a battle shounen scenario. Kiyoko Aura’s legacy continues in the new era through those she mentored and influenced.
Roma Hoito
Introduced as a ditsy, clumsy waitress at Anteiku café, Roma appears to be a young ghoul girl with a carefree attitude. She often acts a bit airheaded and playful. However, Roma has one of the most shocking reveals: she is actually the Founder and leader of the Clowns, a very old ghoul who has been in disguise. Roma’s true identity is “The Oldest Ghoul” (also called Furuta’s “Mother” in Clowns context), with the nickname Dodgy Mother as a ghoul who once led a violent gang in the 6th Ward. Significance: Roma exemplifies deception in the series. All through Tokyo Ghoul she’s seen as a minor comic-relief character at Anteiku. Only in :re do we learn her true colors when she’s unmasked during a battle. Roma led the Clowns in causing chaos throughout Tokyo for entertainment. She is responsible for orchestrating ghoul incidents that escalate conflicts. Her reveal comes when she fights against the investigators and Quinx during the Clown Siege; she shows her terrifying kagune (which can form massive mouths). Eventually, Roma is defeated by combined forces (Urie and others). As she dies, she revels that everything was for fun. Roma’s dual life is significant for two reasons: one, it underscores a theme that not all ghouls at Anteiku were benign (one was literally the source of much chaos), and two, it cements the Clowns as a major disruptive element in the story. Roma being the mastermind behind Clowns means she’s indirectly behind many tragedies that occurred (such as Kaneki’s predicament, to an extent, since Clowns were involved in Rize’s incident through Souta). Also, narratively, she ties together random bits (like why did such a seemingly useless person like “Roma” survive Anteiku’s fall? Because she had plot importance as a villain). After the dust settles, Roma (and the Clowns by extension) is gone, meaning one less source of anarchy. In essence, Roma Hoito is significant for the big twist she represents and the commentary that sometimes those who appear innocent could be the most guilty. Her character journey from goofy waitress to unhinged antagonist is one of the series’ startling turns, leaving readers rethinking the entire Anteiku time with hindsight of who was in their midst.
Conclusion
Tokyo Ghoul’s rich tapestry of characters and its gripping narrative have left a lasting mark on fans around the world. The franchise’s global impact is evident not only in its impressive sales and revenue figures – from tens of millions of manga copies sold to hundreds of millions of dollars earned in adaptations and merchandise – but also in the way it sparked discussions about the nature of humanity and prejudice. The talented voice actors in both Japanese and English dubs played a crucial role in bringing this dark fantasy to life. Performers like Natsuki Hanae and Austin Tindle gave Ken Kaneki a relatable soul, while Mamoru Miyano and J. Michael Tatum infused Shuu Tsukiyama with unforgettable flair. Their contributions, along with those of the rest of the cast, ensured that each character’s pain, joy, and struggle resonated with audiences across languages.
Furthermore, the extensive cast of characters – from Kaneki’s allies like Touka and Amon to complex foes like Eto and Furuta – provided a 360-degree view of a society where ghouls and humans are caught in a cycle of fear and violence. By exploring each character’s story, we see that Tokyo Ghoul is not just about horror and action; it’s about empathy, understanding, and change. Ghouls who seemed like monsters often had poignant human-like stories, and humans who seemed righteous sometimes crossed moral lines. In the end, Ken Kaneki’s journey symbolizes a bridge between two worlds, suggesting that coexistence is possible through compassion and courage. Tokyo Ghoul’s legacy in anime culture is thus two-fold: it delivered a thrilling, emotionally-charged story, and it prompted viewers to ponder deeper questions about discrimination, survival, and what it truly means to be human. As the dust settles on Kaneki’s world, fans around the globe continue to cherish the series – its impactful story, the voices that gave it life, and the characters that have become icons of modern anime storytelling.
